An intellectual young woman falls for a prominent artist in this story of obsessive love.
In plain, unsparing prose, Swedish author Andersson (this is her first novel to be translated into English) tells the story of Ester Nilsson, a woman who loses her bearings over a man. Ester is a sensible scholar and freelance writer when the book starts; she lives with her unexciting but reliable boyfriend, Per, and is contentedly devoted to intellectual pursuits. Then she's asked to give a talk on renowned artist Hugo Rask, with whom she immediately develops a fascination. She’s determined to dazzle him with her lecture, thinking men like him were “receptive to the power of formulations and their erotic potential.” She succeeds, is enthralled by his attention, and the stage is set for a relationship defined by her hero-worship and his passive acceptance of it. Ester notices the power imbalance early on: “Hugo never followed up anything Ester said. Ester always followed up what Hugo said. Neither of them was really interested in her but they were both interested in him.” But, as will seem horribly familiar to some readers, this indifference doesn’t deter her; instead it’s fuel to the fire. Ester leaves Per and throws herself into a love that starts to guide all her waking movements. With classic, torturous uncertainty, she puzzles over the meaning of every encounter and the crushing blank of Hugo's frequent absences. Andersson’s cleareyed depiction of this abject state is merciless, her writing clean to the point of starkness. But that harsh style is suited to the subject matter—the book asks, are human beings responsible for vulnerabilities in others? And can a woman win a man solely with intellectual firepower? The book is lean and compulsively readable as Ester finds increasingly improbable reasons to cling to hope.
Andersson’s sketching of the lovesick Ester and the preoccupied Hugo is so well done that every incensed text she sends him is another little piece of our collective heart as we follow a struggle that has existed for as long as human life: the lover and the loved.Pub Date: Feb. 2, 2016
ISBN: 978-1-59051-761-1
Page Count: 208
Publisher: Other Press
Review Posted Online: Nov. 17, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Categories: LITERARY FICTION
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BOOK REVIEW
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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