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SWITCHING TRACKS

OUT OF THE TRASH

This engrossing and gritty survival romance pulls no punches in revealing its enviro-economic dystopia.

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Having uncovered a secret that could bring down corporate overlords, a scavenger in post-apocalyptic America goes on the run with an itinerant train-hopper in this novel.

In 2195, 20-year-old Elsa lives with her great-grandmother Granny Lee in SoCal (formerly Southern California), a political prison-cum-slum defined not by guards or walls but rather by economic privation and the bullying oversight of GreenCorps. This corrupt, exploitative organization rose to power under the pretense of salvaging the environment and upholding civilization after the plague-driven societal Collapse. Elsa and Granny Lee work the Heap, a mound of garbage whose layers date back to the early 21st century. Elsa digs while Granny Lee stands guard with her shotgun, “which she wasn’t shy about using.” They trade scrap metal for food and water tokens. Life is tough but bearable until 22-year-old Walker and his adopted brother, Hayden, come along. The men are “hoppers” (itinerants who sneak passage aboard trains), and Hayden has a drug habit. In trying to rob Granny Lee, Hayden leaves her injured and unable to work. Without Granny Lee’s protection, Elsa is forced to take a job serving drinks in a brothel. Walker, too, has found work there (as a bouncer). When he saves Elsa from being brutally raped by a GreenCorps man, the two flee SoCal on the trains, taking with them her last find: a metal tube that contains maps to six pre-Collapse seed vaults. With a price on their heads, can Elsa and Hayden keep clear of their GreenCorps pursuers? Gibson writes in the third person, primarily from Elsa’s and Walker’s perspectives but occasionally from those of teenage pickpocket Tatsuda and widowed ex-rebel Caitlyn. In this series opener, the prose is polished, the dialogue unobtrusive, affording no distraction from Elsa’s bleak life. The world portrayed, while one of extreme hardship, seems very much in keeping with current societal trends. One particularly sobering aspect of this is the disproportionate helplessness experienced by women, especially regarding sexual violence. Elsa’s matter-of-fact wariness of vigilante rape is a disquieting precursor of what she faces in the brothel. Elsa and Walker are relatable characters in whose plight—and romance—readers will invest. Though downbeat in content, the story is light on its feet and moves with assurance toward the sequel.

This engrossing and gritty survival romance pulls no punches in revealing its enviro-economic dystopia.

Pub Date: Jan. 31, 2024

ISBN: 9781685133641

Page Count: 365

Publisher: Black Rose Writing

Review Posted Online: June 11, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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