An authoritative, richly detailed portrait of a fascinating historical character and another top-notch work from Damrosch.
A vivid chronicle of the passions of an 18th-century libertine.
Giacomo Casanova (1725-1798) has been the subject of many biographies, based largely on edited and sometimes sanitized versions of his Histoire de ma vie, in which he recounted more than 100 sexual conquests, relentless travels, and a lifetime spent perpetrating scams and cons. Damrosch, an award-winning biographer of Jonathan Swift, William Blake, and others, offers a close critical study of the original manuscript and of supplementary texts that include hundreds of pages of unpublished works. The result is a nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites who was determined to free himself from all manner of repression. He was, Damrosch writes, not “just a bad boy, he was a particular kind of bad boy” whose sexual encounters were “opportunistic and [sometimes] disturbingly exploitative.” He engaged in pedophilia (though, as Damrosch explains, the age of consent at the time was 10), incest, and gang rape; claimed to have occult powers; and lost fortunes gambling. Born to actors in Venice, Casanova imbibed the spirit of the swarming, culturally diverse city. The major industry, Damrosch writes, “was pleasure,” and Casanova, drawn to role-playing, fascinated by cross-dressing, and an “instinctive improvisor,” thrived there. Damrosch hews closely to the narrative of the Histoire, testing Casanova’s version—and the analyses of previous biographers—against available historical evidence. Still, his portrait is not a corrective to what is already well known but rather an amplification. Although he states at the outset that “the story of a notorious seducer needs to be addressed frankly and critically,” Damrosch ably demonstrates his subject’s energy and intelligence, “the joie de vivre, the enormous risks and hair-raising escapes, the lifelong struggle to invent and reinvent himself,” as well as his impressive talent in creating a memoir “bursting with vitality”—an apt description for this beautifully illustrated biography.
An authoritative, richly detailed portrait of a fascinating historical character and another top-notch work from Damrosch.Pub Date: May 24, 2022
ISBN: 978-0-300-24828-9
Page Count: 432
Publisher: Yale Univ.
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
PERSPECTIVES
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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