A vigorous, lucid biography of perhaps the most influential thinker of his day, with plenty of juicy gossip about his...
Thoroughgoing life of the often disagreeable, uncharismatic and world-transformative philosopher, he of “Mankind is born free and is everywhere in chains” renown.
The French edition of Jean-Jacques Rousseau’s complete published works runs to 10,000 pages, though Rousseau, characteristically, wished late in life that he had not written a word. As Damrosch (Literature/Harvard Univ.) shows, anyone who had known young Rousseau would not have bet on his becoming world-famous in his own lifetime. Rousseau, Damrosch writes, was the motherless son of a Geneva watchmaker—no disqualification, for, as an 18th-century thinker noted, the artisans of the city “were fond of reading the works of Locke and Montesquieu” and were in many instances thoroughly radicalized. Rousseau’s father spirited away a good bit of the inheritance that was supposed to one day be the son’s, and when he remarried, Jean-Jacques presciently went out the door to seek his fortune on his own. He proved a poor apprentice though a sometimes helpful servant, and he insinuated himself in a few noble households while pondering what to do next, one observer volunteering that the best he could aspire to was “becoming a village priest.” Rousseau chose another path, devouring a few libraries with the hungriness and half-method of an autodidact, then unleashing a torrent of words on the world of the dawning Enlightenment. One of the chief virtues of Damrosch’s always virtuous biography—apart from accounting for Rousseau’s late, little-studied years—is his close reading of Rousseau’s oeuvre, from minor prose poems to major treatises such as Èmile and The Social Contract, which reconciles the events of his subject’s never easy life with the often contradictory ideas he came to espouse about such things as the noble savage and social equality, for which he is still remembered.
A vigorous, lucid biography of perhaps the most influential thinker of his day, with plenty of juicy gossip about his extracurricular life.Pub Date: Nov. 1, 2005
ISBN: 0-618-44696-6
Page Count: 592
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)
Pub Date: July 10, 1995
ISBN: 0-345-39606-5
Page Count: 432
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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