Interesting period detail and some fine stylistics can’t hide the staleness of what’s essentially a retread.
A born-to-the-Mafia boxer gets entangled in the 1960s mob wars in New York and discovers his true identity—in a tired offering from playwright Rutman.
For a prizefighter whose father is a Mafia don, Davey Rossi has a pretty straight head on his shoulders—the kind of guy who might be good at littering the canvas with unconscious bodies but is a perfect gentleman on the street. It’s New York, circa 1962. Kennedy is facing down the Russians over Cuba, and a turf war is brewing among New York’s Mafia leadership. The opening salvo is the shocking assassination—right after Davey wins a dramatic bout at Madison Square Garden—of Tommy Costanza, graying eminence and fixer extraordinaire for the city’s Five Families. Next up is the kidnapping of Davey’s father, Vince, head of the Rossi crime family, who adopted Davey when he was still an infant. The wolflike Dino Manfredi, who spent time in jail and blamed Tommy and Vince for it, is the first suspected of both attacks. But while Davey is trying to figure out how to save his father and avoid giving too much away to “Johnny Silk,” his adopted brother who’s still not quite trustworthy, there’s also the matter of Davey’s newly discovered heritage. It turns out he’s actually the son of Nails Gordon, a tough Jewish gangster and former comrade of Vince’s who was taken out by the Mafia before the war. This is no small news, and Davey struggles to rearrange everything he knows about himself as his entire world begins collapsing around him. Unfortunately, this premise is better than Rutman’s execution of the whole, and his characters remain disappointingly thin—speaking in stilted Mafia-ese while glowering from behind cigarettes and under fedoras.
Interesting period detail and some fine stylistics can’t hide the staleness of what’s essentially a retread.Pub Date: Sept. 1, 2002
ISBN: 0-312-29061-6
Page Count: 352
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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