A book for gourmands and vinologists, for lovers of Shakespeare and Mozart and art and architecture, for those who, like the...
An art scholar spends a year in Rome, living on the eponymous square, researching and writing a book, sampling the gastronomic and vinous bounties of the city, feeling lonely, enriching his Italian.
Barkan finished his book, Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture, but it’s hard to see how if he cooked and ate and drank and socialized and viewed works of art and listened to Mozart as frequently as these pages record. What a busy man! And what a supremely educated man, as well. Allusions are as thick in his prose as, oh, chunks of tomato (fresh, of course) in a good pasta sauce. Yet nothing seems forced. If he sees aspects of The Merchant of Venice or Don Giovanni in all he is doing at the time, well, that’s because these works are not exterior to him; they form part of his remarkably complex interior. Barkan’s memoir is loosely chronological, but within each segment, he moves freely about in time, sometimes many years, sometimes merely moments. He writes easily about Henry James and Hawthorne, Roman history and architecture and art; he and a new friend can, impetuously, plop down and play a four-hand piece by Schubert; he can hide salmon caviar inside an artichoke; he can expatiate about the concept of ekphrasis (writing about visual objects) and the delicacies of French wine. There are passages about food preparation, about crushes on other men (he admires a friend’s “bulge” in his skimpy Speedo as they share space in an ancient bath), and, always, about art and aesthetics. He joins an eclectic group of wine-tasters, struggles to make his Italian convey what he knows and thinks and feels, and begins to have epiphanies of various sorts—e.g., food and work and music go together.
A book for gourmands and vinologists, for lovers of Shakespeare and Mozart and art and architecture, for those who, like the author, realize that all is metaphor.Pub Date: Oct. 1, 2006
ISBN: 0-374-25405-2
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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