by Leonard Crow Dog & Richard Erdoes ‧ RELEASE DATE: April 26, 1995
Another elegiac ``as-told-to'' autobiography from writer/photographer Erdoes. Erdoes (Tales from the American Frontier, 1991, etc.) befriended the Crow Dogs in the 1970s and parlayed that relationship into two successful volumes about Mary Crow Dog. He now turns his attention to Mary's ex-husband, Leonard, and to previous generations of the family as well. The first Crow Dog, born in 1836, was a renowned warrior and leader who became the first Indian to win a case before the US Supreme Court when his conviction for the murder of a tribal chief was thrown out. He later was one of the earliest Ghost Dancers among the Lakota. Leonard's grandfather, John Crow Dog, traveled with Buffalo Bill Cody's Wild West Show. The story of Leonard's father, Henry, a noted holy man, is told largely in his own words from a tape Leonard keeps. Like his father, Leonard is a traditional medicine man. He is also a leader in the Native American Church, which uses the hallucinogen peyote, and much detail is provided about that neo-syncretic religion as well as about traditional ceremony. The emotional core of the book, however, is the involvement of Leonard and Henry with the American Indian Movement (AIM) of the 1970s, of which they became spiritual leaders, reviving the Ghost Dance, which had been banned by the US government since the massacre at Wounded Knee in 1890. Leonard was at the siege of Wounded Knee in 1973 and witnessed the bloody aftermath on the reservation. Because of his role in AIM, he was persecuted and harassed by federal and state authorities, tried three times for minor offenses, and eventually sent to prison. His release was finally secured by lawyers William Kunstler and Vine Deloria Jr. The volume ends at a ``high point'' in Leonard's life, a Sun Dance at Henry's place following his release from jail in 1977. (For a history of another Lakota family, see Joe Starita's The Dull Knifes of Pine Ridge, p. 311.) Highly romanticized and flatly told, but nonetheless informative. (16 pages b&w photos, not seen) ($30,000 ad/promo)
Pub Date: April 26, 1995
ISBN: 0-06-016861-7
Page Count: 320
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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