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PATIENT ONE

Goldberg, a clinical professor at UCLA Medical Center, has the expertise to provide an exciting medical thriller. This...

An emergency-room doctor must use all his considerable skills to save the president and the nation from disaster.

Dr. David Ballineau is called back to the hospital when a large group of people, including the president and his family, are taken to the ER with what appears to be severe food poisoning after a dinner for the Russian president. When the Secret Service demands a secure private area for the dignitaries, they are taken to the ritzy Beaumont Pavilion, and almost all the other patients are moved to other areas. David, the president’s doctor, and experienced nurse Carolyn Ross quickly realize that the president’s excessive bleeding is due to something more than poison. As they struggle to contain the bleeding while waiting for the arrival of the president’s rare blood type and plasma, the Pavilion is suddenly seized by Chechen terrorists who murder all the security agents and announce they are holding the world leaders as hostages for the release of their fellow terrorists. David, who had been in the special forces, hides in the ceiling spaces and drops notes of medical advice to Carolyn, who is stretched to the limit trying to help the president and the other ill patients without new supplies. David uses his cell phone to keep the Secret Service up to date while the vice president and her team struggle to come up with a rescue plan. David and Carolyn play cat-and-mouse with the cold-blooded terrorists, who are willing to kill anyone but the president to achieve their ends. Even after David is wounded and captured, he continues his desperate attempts to thwart the terrorist plot.

Goldberg, a clinical professor at UCLA Medical Center, has the expertise to provide an exciting medical thriller. This fast-paced departure from his Joanna Blalock series (Lethal Measures, 2000, etc.) provides all the excitement, intrigue and danger you could ask for.

Pub Date: May 8, 2012

ISBN: 978-0-7387-3046-2

Page Count: 384

Publisher: Midnight Ink/Llewellyn

Review Posted Online: March 4, 2012

Kirkus Reviews Issue: March 15, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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