Readers will be rooting for Nate and Grace in this clever and richly enjoyable novel.

THE KORTELISY ESCAPE

A master storyteller weaves a tale of love, pain, and sleight of hand.

Nate Larson has been in federal prison in what the feds admit is a miscarriage of justice. His first two felonies had not even resulted in prison time, but then he attempted insurance fraud to help pay for his dying daughter's cancer treatment—strike three and mandatory 25-to-life. The feds release him to take custody of his granddaughter, who, as an orphan, has gone into foster care. The hitch is that he must testify against his brother, Dima, who is suspected of child sex trafficking. The Russian Mafia has taken over Dima's grocery store and used it as a pipeline for Eastern European girls, and Dima cooperates out of fear. If Nate doesn’t testify, he goes right back to prison. Fourteen-year-old Grace Larson is stuck in “foster care hell” in Massachusetts, being shunted from one “rental parent” to another, some of whom sexually abuse her. So when a court order sends her to live with Nate, whom she doesn’t know, she is deeply suspicious. Nate shows her magic tricks he’s perfected during his confinement, leaving her slack-jawed with wonder. With one trick using Russian matryoshka dolls comes wonderful patter about a girl in a heaven-on-earth Ukrainian village called Kortelisy in 1942. Of course that’s a lie, as Ukrainians were being murdered by the millions at the time. Grace learns the tricks and becomes his talented apprentice as the feds allow him to take her on a summer tour in New England to perform magic shows. Nate plans eventually to skip to Canada—without Grace—rather than betray Dima, who is old and dying. But Nate discovers he loves her, which she finally realizes, too. So whom to betray, his brother or granddaughter? Nate and Grace are both smart and deeply sympathetic people who have felt great pain in their lives. Nate wants to bring down the real sex trafficker, who’d like nothing better than to murder Nate and pimp out Grace. The plotting is clever and the details are touching: Nate and Grace might be related to Harry Houdini, and Grace might carry the “bent BRCA gene” that killed her mother and grandmother. Dima and Nate were the only survivors when the Nazis wiped out Kortelisy. The story twists, turns, and—presto! A brilliant solution.

Readers will be rooting for Nate and Grace in this clever and richly enjoyable novel.

Pub Date: Nov. 30, 2018

ISBN: 978-1-57962-542-9

Page Count: 304

Publisher: Permanent Press

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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