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AS BABIES DREAM

Lush illustrations and lulling, playful verse create a warm and wonderful bedtime hug.

A bedtime story bursting with strong, quiet love.

Hinting at a stunning sunset, illustrations in deeply vibrant, softly dappled oranges, reds, and purples begin this gentle nighttime story of animal parents and offspring settling in for a night’s rest. The text on each page follows a soothing pattern but also plays with both internal and end rhymes for an added treat. “As the crows fly / and the rivers flow, // As the eagles cry / and the winds blow,” the book opens. Later: “As the rabbits hop / and the owls call, // As the leaves drop / and the rains fall,” it continues pages later, still the same sentence. Young listeners are introduced to several birds, farm animals, and woodland mammals as well as frogs, turtles, and snakes. (There’s also a lion family, quite out of place but useful for the rhyme.) By the end of the story, it is now a starry moonlit night illustrated in dark reds, purples, and blues, and readers have moved from wildlife to city life, with the sentence finally concluding: “As the stars gleam / high above, // the babies dream / safe in our love.” The final image frames five different families in urban windows glowing with that love. The illustration suggests both family and racial diversity and includes what appear to be single-parent, two-parent, same-gender, and multigenerational families of White, Asian, and Black origin. In one family, the father wears a kippah. (This book was reviewed digitally.)

Lush illustrations and lulling, playful verse create a warm and wonderful bedtime hug. (Picture book. 2-5)

Pub Date: Sept. 14, 2021

ISBN: 978-1-4338-3681-7

Page Count: 32

Publisher: Magination/American Psychological Association

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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LITTLE BLUE TRUCK'S HALLOWEEN

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes.

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A lift-the-flap book gives the littlest trick-or-treaters some practice identifying partygoers under their costumes.

Little Blue Truck and his buddy Toad are off to a party, and they invite readers (and a black cat) along for the ride: “ ‘Beep! Beep! Beep!’ / says Little Blue. / ‘It’s Halloween!’ / You come, too.” As they drive, they are surprised (and joined) by many of their friends in costume. “Who’s that in a tutu / striking a pose / up on the tiniest / tips of her toes? / Under the mask / who do you see?” Lifting the flap unmasks a friend: “ ‘Quack!’ says the duck. / ‘It’s me! It’s me!’ ” The sheep is disguised as a clown, the cow’s a queen, the pig’s a witch, the hen and her chick are pirates, and the horse is a dragon. Not to be left out, Little Blue has a costume, too. The flaps are large and sturdy, and enough of the animals’ characteristic features are visible under and around the costumes that little ones will be able to make successful guesses even on the first reading. Lovely curvy shapes and autumn colors fade to dusky blues as night falls, and children are sure to notice the traditional elements of a Halloween party: apple bobbing, lit jack-o’-lanterns, and punch and treats.

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes. (Board book. 2-4)

Pub Date: July 5, 2016

ISBN: 978-0-544-77253-3

Page Count: 16

Publisher: HMH Books

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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