A sensitive introduction to grief and to Jewish mourning rituals.
A child helps a friend grapple with the loss of a relative.
Lizzie’s mother is making brownies to take to Joshua’s house; Joshua’s grandfather has just died, and, as Mom explains, he and his family are sitting shiva, the Jewish period of mourning. At Joshua’s home, people explain various customs to Lizzie, like ritual handwashing and covering mirrors. Though informative, these moments sometimes feel a bit clunky, clearly intended to educate readers unfamiliar with shiva rather than advance the narrative. Rabbi Sarah arrives to lead prayers and hold space for the family to share stories about Joshua’s grandpa. The family’s dog, Queenie, provides moments of levity, keeping the serious topic from becoming overwhelming and demonstrating that it’s OK to laugh even amid grief. After, Lizzie sits with Joshua while he cries and recalls his grandfather telling him to nosh on something sweet every day, because life shouldn’t be bitter. Joshua decides to eat two brownies—one for himself, and one for his grandpa—representing the sweetness that exists even in times of sorrow. Newman handles the complexity of loss with care and authenticity in an age-appropriate way. Rich’s muted, expressive watercolors are well suited to the gently solemn tone of the story. Lizzie and Mom are brown-skinned, while Joshua and his family are lighter-skinned; their community is diverse.
A sensitive introduction to grief and to Jewish mourning rituals. (author’s note) (Picture book. 4-8)Pub Date: March 24, 2026
ISBN: 9781623545710
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Nov. 8, 2025
Kirkus Reviews Issue: Dec. 15, 2025
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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