A semiconclusive entry in a lightweight science-minded series.
In Smith’s (A Jack in the Dark, 2018, etc.) latest sci-fi series installment, physics professor Madison Martin’s former student may be using her reality-bending technique for large-scale vandalism.
In the last book in this series, Boulder, Colorado–based college instructor Martin grappled with villains who misused her breakthrough technique, “q-lapsing.” It involves using mind power, adrenaline, and quantum physics to alter reality to a chosen outcome—such as disintegrating the door to a bank vault. Martin’s expertise resulted in her becoming a special consultant to the police and FBI, tentatively training lawmen to use her process for a range of tasks. Now she, as the “Quantum Cop,” must assist them again following another outbreak of mischief—this time involving the eradication of a mining ghost town and the dissolution of a highway. The apparent perpetrator is Luke Bacalli, Martin’s foremost ex-student-gone-bad, whom she thought she’d killed in a quantum duel. Despite the fact that the material universe is at risk, Smith’s tone remains chirpy and playful, and in side plots, Martin’s long-standing love affair with faculty colleague Andro Rivas cools and her attraction to police officer Ben Willis heats up. The motivation for the large-scale destruction isn’t explained, and the behavior of the villains, who alternate between being maniacal and panicked, seems inconsistent, but these questions may be addressed in a future installment. Q-lapsing, in narrative terms, feels very much like spellcasting despite repeated assertions that it’s all based in science (“I concentrated and collapsed the wavefunction, instantiating the reality in which I’d followed this particular improbability to its source”). As is her habit, Smith, a real-life physicist at the University of Colorado at Boulder, concludes this flighty tale with a lucid nonfiction physics essay; this time around, it’s about neutrinos even though they only have a small cameo in the text.
A semiconclusive entry in a lightweight science-minded series.Pub Date: Dec. 9, 2018
ISBN: 978-0-9973131-9-2
Page Count: 325
Publisher: Quarky Media
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: March 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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