This account of scientists who have used their own bodies and minds as subjects of experimentation forms a satisfyingly gruesome exploration of scientific dedication. George Fordyce explored the limits of the human ability to endure extreme heat and helped to explain why “it’s not the heat; it’s the humidity”; Daniel Carrión’s self-infection with the deadly verruga peruana resulted in his death and the renaming of the disease in his honor; Marie Curie’s experimentation with radium killed her but led to radiation therapy. Although these men and women, and several others introduced in this fascinating tome, were often viewed as crackpots, the text makes clear that it was their willingness to suffer that has led to many significant medical advances. The text is often sprightly and delivers just the right factoids to keep up flagging interest. Mordan’s clean inked portraits and details supplement archival illustrations; sidebars and chapter-ending “Now We Know” segments extend the information presented in the narrative. An introduction warns readers not to try these experiments on themselves; an author’s note informs readers of their methodology and approach to source material. Solid and fascinating. (Nonfiction. 10+)
Pub Date: June 1, 2005
ISBN: 0-8050-7316-7
Page Count: 224
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
This hopeful adventure leaves an indelible mark.
A rare disorder elicits fear in a young Black artist with a unique sense of the world.
Seventh grader Etta’s Quiet Days are becoming more frequent and, frankly, irritating since her “maybe-diagnosis” of Ménière’s disease in both her ears. Her parents are monitoring her diet, vigilant about stressors, and learning ASL. In contrast to Etta’s Loud Days, not being able to hear sometimes makes it easier to focus on her comic book about Invincible Girl (the novel includes some enticing panels featuring Etta’s work). But, as peculiar weather patterns begin to overwhelm her Chicago neighborhood and exacerbate her allergies, the corresponding tinnitus and vertigo as well as the increased anxiety from everyone around her leave Etta feeling hopeless. Even meeting Eleazar, an artsy new Colombian friend with an adorable goldendoodle, leads to doubts about her abilities to communicate—Eleazar is also still learning English—and her future with Ménière’s. When Eleazar’s dog gets lost on a magical train that is linked to the weird weather, the two must traverse the train cars, solve mysteries, and overcome their fears to fix what’s broken and heal what can’t be fixed. Just like the magical challenges, their journey yields great emotional rewards. Even as Etta and Eleazar make new connections, losses—of family, hearing, and home—are somber reminders of life’s challenges. With snappy narration that’s rich in sensory detail and metaphor, readers progress through well-paced storytelling that is ethereal and artfully inclusive.
This hopeful adventure leaves an indelible mark. (Fiction. 10-13)Pub Date: July 12, 2022
ISBN: 978-1-5344-6837-5
Page Count: 288
Publisher: Aladdin
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
Humble, endearing and utterly easy to relate to; don’t miss this one.
The charismatic creator of the Eisner-nominated Amelia Rules! series recounts his beginnings as a cartoonist.
From the very first panel, Gownley’s graphic memoir is refreshingly different. He’s not the archetypal nerd, and he doesn’t retreat to draw due to feelings of loneliness or isolation. Gownley seems to be a smart kid and a talented athlete, and he has a loyal group of friends and a girlfriend. After he falls ill, first with chicken pox and then pneumonia, he falls behind in school and loses his head-of-the-class standing—a condition he is determined to reverse. A long-standing love of comics leads him to write his own, though his first attempt is shot down by his best friend, who suggests he should instead write a comic about their group. He does, and it’s an instant sensation. Gownley’s story is wonderful; his small-town life is so vividly evinced, it’s difficult to not get lost in it. While readers will certainly pick up on the nostalgia, it should be refreshing—if not completely alien—for younger readers to see teens interacting without texting, instead using phones with cords. Eagle-eyed readers will also be able to see the beginnings of his well-loved books about Amelia. He includes an author’s note that shouldn’t be overlooked—just be sure to keep the tissues handy.
Humble, endearing and utterly easy to relate to; don’t miss this one. (author’s note) (Graphic memoir. 10 & up)Pub Date: Feb. 25, 2014
ISBN: 978-0-545-45346-2
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: Nov. 12, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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