Regardless of the monsters’ rather sudden turnabout, Frankenstein models self-assurance and kindness, both of which are much...

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A VALENTINE FOR FRANKENSTEIN

No matter how much the other monsters tease him, Frankenstein is “comfortable in his own green skin.”

All the monsters are preparing for the Valentine’s Day Bash, but even though Frankenstein (the monster, not the doctor) is wearing his “worst tuxedo,” “crookedest smile,” and droopiest flower, the other monsters tease him: “Just two eyes!” “No tail.” “And he’s nice….Blech!” Indeed he is. He retrieves a child’s muddy toy, compliments others even when they are unkind to him, and helps out a skeleton who has fallen apart. But kindness isn’t the only storyline here. Frankenstein becomes smitten with Belcher, a monster he’s never met before, and she feels the same, slipping a valentine in his pocket asking him to be hers. The other monsters don’t understand what she sees in him. “I’ve never met a friendly monster before,” she enthuses. “He’s my kind of monster!” And just like that, the other monsters see Frankenstein’s kindness as a positive quality and finally accept him. Banks’ digital illustrations go overboard (in a good way) in portraying the gruesome and grotesque, and small details in the spreads will delight careful observers. The bright palette features some almost-fluorescent shades, and his monsters are definitely a diverse bunch.

Regardless of the monsters’ rather sudden turnabout, Frankenstein models self-assurance and kindness, both of which are much needed. (Picture book. 4-8)

Pub Date: Nov. 1, 2018

ISBN: 978-1-5124-3129-2

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: Sept. 17, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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A must-have book about the power of one’s voice and the friendships that emerge when you are yourself.

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THE DAY YOU BEGIN

School-age children encounter and overcome feelings of difference from their peers in the latest picture book from Woodson.

This nonlinear story centers on Angelina, with big curly hair and brown skin, as she begins the school year with a class share-out of summer travels. Text and illustrations effectively work together to convey her feelings of otherness as she reflects on her own summer spent at home: “What good is this / when others were flying,” she ponders while leaning out her city window forlornly watching birds fly past to seemingly faraway places. López’s incorporation of a ruler for a door, table, and tree into the illustrations creatively extends the metaphor of measuring up to others. Three other children—Rigoberto, a recent immigrant from Venezuela; a presumably Korean girl with her “too strange” lunch of kimchi, meat, and rice; and a lonely white boy in what seems to be a suburb—experience more-direct teasing for their outsider status. A bright jewel-toned palette and clever details, including a literal reflection of a better future, reveal hope and pride in spite of the taunting. This reassuring, lyrical book feels like a big hug from a wise aunt as she imparts the wisdom of the world in order to calm trepidatious young children: One of these things is not like the other, and that is actually what makes all the difference.

A must-have book about the power of one’s voice and the friendships that emerge when you are yourself. (Picture book. 4-8)

Pub Date: Aug. 28, 2018

ISBN: 978-0-399-24653-1

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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