Less notable for its individual stories than for the revised narrative they support that shows Victorian women actively...



Veteran anthologist Klinger’s fondness for shadows (In the Shadow of Edgar Allan Poe, 2015, etc.) leads him to a bit of overreaching: none of the 17 authors showcased here toiled in Christie’s shadow, because their stories all appeared between 1850 and 1917, before Christie had published a word.

Even so, Klinger the archivist and editor has done the field an invaluable service by excavating so many stories, mostly, as his subtitle aptly puts it, “by forgotten female authors” from the supposed interregnum between Poe and Conan Doyle. True, the earliest and most obscure of his discoveries—Catherine Crowe’s “The Advocate’s Wedding Day,” Mary Fortune’s “Traces of Crime,” Harriet Prescott Spofford’s “Mr. Furbush”—are so ponderous and unmysterious that they’re more likely to interest antiquarians than fans, and Elizabeth Gaskell’s “The Squire’s Story,” though more finely wrought, offers little more mystery than its contemporaries. The plot thickens with Ellen Wood’s “Mrs. Todhetley’s Earrings,” which adds an actual, albeit transparent, mystery; Elizabeth Corbett’s “Catching a Burglar,” which sends detective Dora Bell undercover as a lady’s maid; and C.L. Pirkis’ “The Ghost of Fountain Lane,” in which sleuthing Loveday Brooke brings some ingenuity to the case of a stolen check. Ellen Glasgow raises questions about the morality of abetting a criminal’s suicide in “Point in Morals”; L.T. Meade and Robert Eustace provide a virtually unguessable cause of violent death in “The Blood-Red Cross”; a nondescript Viennese detective clears a man accused of murder in Augusta Groner’s stolid “The Case of the Registered Letter”; the ghost in M.E. Braddon’s “The Winning Sequence” hides a shameful secret; the disappearance of a valuable formula in Anna Katherine Green’s “Missing: Page Thirteen,” holds the key to a long-unsuspected crime. The best stories, though, are by the least-forgotten names in the genre. The detective known as The Old Man in the Corner shines in Baroness Orczy’s “The Regent’s Park Murder”; Carolyn Wells sends up the genre amusingly in “The Adventure of the Clothes-Line”; and Susan Glaspell’s frequently reprinted “Jury of Her Peers” brings the volume to an appropriately grim yet triumphant close.

Less notable for its individual stories than for the revised narrative they support that shows Victorian women actively working the field long before Miss Marple.

Pub Date: Jan. 2, 2018

ISBN: 978-1-68177-630-9

Page Count: 352

Publisher: Pegasus Crime

Review Posted Online: Oct. 31, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.


Murder and mayhem plague a film set on a secluded island off the coast of Delaware in Little’s (Dear Daughter, 2015, etc.) sophomore thriller.

When film editor Marissa Dahl takes a job on a new film directed by the talented but temperamental Tony Rees, she’s not given a script and must sign a mile-long nondisclosure agreement. It’s not ideal, but she needs the work. Escorted by an attractive ex–Navy SEAL named Isaiah, Marissa arrives on Kickout Island to find a bustling set, headquartered at a beautiful hotel, that is cloaked in secrecy and beset with dysfunction. Once Marissa gets down to work, she realizes that picking up the slack from the previous editor, who was fired for unknown reasons, won’t be smooth sailing and that the movie is based on the real-life unsolved murder of aspiring actress Caitlyn Kelly 25 years ago on that very island. Most folks assume that an eccentric ferry captain named Billy Lyle, a friend of Caitlyn’s, was the killer, but there was never enough evidence to convict. A few people, however, think he may be innocent. Marissa sets out to discover what really happened to Caitlyn with the help of Isaiah and two intrepid, tech-savvy 13-year-olds—Grace Portillo and Suzy Koh, whose parents work for the hotel. What she finds is a dead body and a whole lot of trouble. Readers fascinated with the behind-the-scenes machinations of a movie set will be enthralled, plus there’s a frisson of romantic tension between Isaiah and Marissa, and the island setting lends some spooky atmosphere. Snippets from Grace and Suzy’s true-crime podcast, Dead Ringer, are also sprinkled throughout. Though a killer on the loose adds a fair bit of urgency in the second half, the main focus is on Little’s singular narrator. Marissa relates to the world primarily through film and considers herself anything but typical: “It’s possible I’ve spent so much time watching movies that the language of film has infiltrated some primal, necessary part of my brain. I catch myself processing my own emotions in scenes, in shots, in dialogue.”

A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

Pub Date: Feb. 25, 2020

ISBN: 978-0-670-01639-6

Page Count: 352

Publisher: Viking

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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