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DEVIL'S MOVE

There’s no standout spy amid all the spying, but shady dealings and global struggles aid this solid genre outing.

In Wolfe’s (Executive, 2011) political thriller, a secret U.S. agency tries to stop a covert group from hijacking the new voting process and possibly rigging the presidential election.

Robert Wilton can save his wife, who’s in desperate need of a heart transplant, if he does a “small favor” for a shadowy organization. He simply needs to ensure that the company where he works, Donaldson & Campbell Business Intelligence, contracts vendor ERamSys to design software for e-vote, the new all-digital voting system for America. But when two DCBI employees—both of whom opposed outsourcing the e-vote project—mysteriously die, a former CIA pal puts terrified Robert in touch with the agency. They know terrorists are behind the scheme, but the agency isn’t completely sure of their ultimate goal, whether it’s fixing the election or stealing voters’ information. Technology executive Alex Hoffman goes undercover at the ERamSys HQ in New Delhi, where attempting to retrieve the software code puts her in the cross hairs of dangerous, untrustworthy men. Despite references to James Bond—Alex trains with 007’s gun, a Walther PPK, and uses a bomb-sniffing gadget that resembles an alarm clock—the novel is more political thriller than spook story. Alex, for example, seems to have trouble getting access to the code due to her gender than for security reasons. Elsewhere, the forthcoming election serves as a major subplot, with a number of news programs, like News of the Hour, offering updates for readers. There is nevertheless an impressive amount of suspense throughout. The agency is wary of enigmatic Warren Helms, who first approached Robert, and readers learn about the Council for a New World Equity, an evil multinational conglomeration hoping to overthrow the American government. Other elements—including CANWE meetings somewhere in Greece as well as scenes involving presidential hopeful Sen. Bobby Johnson, an unpopular and rarely sober candidate whom CANWE apparently supports—occasionally overshadow the espionage story, which mostly features Alex and fresh agency recruit Louie Blake, who joins her in New Delhi. But each of these subplots is an essential ingredient in a multilayered novel rich in texture.

There’s no standout spy amid all the spying, but shady dealings and global struggles aid this solid genre outing.

Pub Date: Dec. 8, 2014

ISBN: N/A

Page Count: 411

Publisher: Italics Publishing

Review Posted Online: Jan. 12, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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