by Lewis Lockwood ‧ RELEASE DATE: Oct. 26, 2015
Of particular interest to specialists but written with an authority and passion that will appeal to general readers as well.
From music scholar and biographer Lockwood (Emeritus, Music/Harvard Univ.; Beethoven: The Music and the Life, 2002, etc.), a close examination of nine works at the heart of the Western classical tradition.
“For Beethoven, the symphony was a lifetime preoccupation,” writes the author, who draws on the composer’s detailed and comprehensive sketchbooks to trace the evolution of this preoccupation from the “supremely competent” First Symphony through “Ode to Joy,” the stunning choral finale to the Ninth. Acknowledging the profound musical influence of Haydn, Mozart, and (in later years) Bach, Lockwood also points to the wildly popular plays of Friedrich Schiller as inspirations for what Beethoven wished to achieve in his symphonies: “the ability to stir large audiences to emotional depths they had not experienced before.” The author’s technical analyses of such factors as key, tempo, and instrumentation are likely to daunt casual music lovers, but each chapter also contains eloquent summaries of each symphony’s impact on listeners, both at the time of its premiere and over the centuries, and of its place within Beethoven’s overall artistic development. The titanic nature of his ambitions, and the centrality of the symphony to them, is evident from the time of the Third Symphony, with which, Lockwood writes, Beethoven “lifted the genre of the symphony onto a new plane of expression and grandeur.” While the composer is perhaps best known for that grandeur and for such forceful moments as the famous four-note opening of the Fifth Symphony (“Thus Fate knocks at the door,” Beethoven is said to have remarked), the author also evinces and elicits appreciation for the quieter pleasures of the Fourth and the Sixth, or “Pastoral,” displaying the composer’s profound love for nature. The epilogue movingly affirms Beethoven’s symphonies as “exemplars of what great music can still mean in our fragmented and pessimistic age.”
Of particular interest to specialists but written with an authority and passion that will appeal to general readers as well.Pub Date: Oct. 26, 2015
ISBN: 978-0-393-07644-8
Page Count: 320
Publisher: Norton
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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