A provocative addition to the literature of race, racism, and resistance.
An Afro-Jewish philosopher looks at Black consciousness and the struggle against pervasive White supremacist social structures.
“Racism is the institutional production of nonhuman status to groups of human beings,” writes Gordon, head of the philosophy department at the University of Connecticut, “with the consequence of a ‘race’ or set of ‘races’ being treated as inferior or superior to others.” Certainly, that is manifest in most working definitions of White supremacy, although, as he adds, these days most adherents of that doctrine prefer somewhat blander terms such as alt-right or white nationalism. Furthermore, argues the author, that racism exists on the left as well as the right. He suggests that small-b black consciousness accommodates this system, whereas what is needed is “to become actional, to fight against oppression”—i.e., to take up the cause of a capital-B Black consciousness that repudiates all ideas of White supremacy and Black inferiority. Gordon stretches a bit, though in the end convincingly, to incorporate the film Black Panther into this evolution. The author sometimes paints with too wide a brush, as when he asserts that “whites want everything,” a charge that would certainly risk alienating well-meaning allies. Nonetheless, the author has a keen understanding of the supremacist playbook, which draws on a range of old-school and neofascist sources to arrive at the maxim that the only way to make oneself superior is to make another inferior. Here, Gordon broadens the discussion to include intersectionality and the “understanding that race is connected to a multitude of other ways of living in the Euromodern world, including class, gender, indigeneity, and sexuality,” with new discriminations at each juncture. Racism is not supremacism as such, he holds, but both can be defeated with the new Black consciousness that both of them fear.
A provocative addition to the literature of race, racism, and resistance.Pub Date: Jan. 11, 2022
ISBN: 978-0-374-15902-3
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 12, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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