At least this battle for survival has gore going for it.
Lawlessness and violence erupt in a quarantined high school.
David Thorpe can't ditch school and his ex-friends on the football team because it's his epileptic younger brother's first day. That's the day a weapons manufacturer's biologically improbable virus reaches the school—a suspension-of-disbelief–necessary germ that infects teenagers but kills everyone else. However, the virus leaves teens as they leave puberty, taking their resistance but allowing them a chance to escape. Government technology tells the exact date a student will leave puberty and quarantine, just from a thumb on a scanner. Knowledge of this "escape date" undermines the novel's potential for claustrophobic tension. The breakdown into chaos and establishment of new orders (fierce fighting for resources dropped every two weeks) are mostly skipped over. The virus causes white hair, enabling cliques (Varsity, Geeks, Nerds, Freaks, Skaters, the Pretty Ones and Sluts) to dye their hair uniform colors for identification. David and the other outsiders must fight the strict caste system by forming their own clique. The female-dominated groups—Pretty Ones and Sluts—reflect a tiresome woman-as-commodity approach. The female lead and love-triangle anchor (fought over by David and his brother) only occasionally shows signs of personality and is offended but also "excited" by unwanted groping. Additionally, the major characters' voices are indistinguishable and the villain cartoonishly evil—characterization is generally ignored in favor of more gore.
At least this battle for survival has gore going for it. (Science fiction. 14-18)Pub Date: April 24, 2012
ISBN: 978-1-60684-329-1
Page Count: 406
Publisher: Egmont USA
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: March 1, 2012
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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