Quarantine this pointless book



From the Quarantine series , Vol. 4

The story of a supporting character from the first novel in the Quarantine series adds a fourth book to the trilogy.

Gonzalo (whose ambiguous racial markers might read as Latino) was the muscle for the Loners clique, leaving it only to return to the infected zone for his girlfriend, Sasha. The bulk of the novel uses a rigid alternating-chapter structure that switches between his search in the present and his experiences during the events of The Loners (2012). The past storyline reveals that, before a three-month growth spurt turned Gonzalo into a hulk, he was small enough that he fell in with a secret clique, the Mice, who stole from the others. Besides that, it effectively retreads the previous book, treating a barely seen romance based on physical attraction like an epic love. In the present, Gonzalo’s struggles to find Sasha force him to team up with a treacherous old enemy, who frequently calls Gonzalo dumb (the text supports the antagonist’s interpretation of Gonzalo’s intelligence). The tensionless wild goose chase is marked by gross-out gore in lieu of suspense, which matches the faux-edgy tone evoked by a fetishization of nonconsensual sexuality (which receives just as much attention as the lovers’ relationship). Only one twist near the end works, and only then because the worldbuilding is so sketchy.

Quarantine this pointless book . (Science fiction. 16-18)

Pub Date: Sept. 1, 2016

ISBN: 978-1-5124-0103-5

Page Count: 352

Publisher: Carolrhoda Lab

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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An unflinching portrayal of the devastating effects of domestic violence.


After a horrific domestic violence incident, Zoey Ward and her family finally find their footing in Las Vegas only to have their lives overturned by a house fire.

Learning that her father has been recently released from prison, Zoey suspects he had something to do with the blaze. After their lives go up in flames, literally, Zoey along with her mom and her younger siblings, Kate and Cole, flee Las Vegas with the help of her older brother, Will, and his best friend, Tristan. They take refuge in California, where Tristan and his sister welcome them into a world where things seem hopeful and more stable than anything they have ever known. Yet the fear of being hunted down by her father consumes Zoey. The story is narrated from Zoey’s and Tristan’s first-person perspectives, and Gray (Run Away With Me, 2017, etc.) has masterfully captured the uncertainty and terror that come from domestic violence. Tristan and Zoey share a budding romance in which Zoey slowly but surely learns to love and be loved in a nondestructive, healthy way despite her fears and reservations. With everything she has been through, Zoey is the underdog readers will find themselves rooting for. Gray spares no detail in this intense tale. All characters are assumed to be white; Tristan is dyslexic, and there are several queer characters.

An unflinching portrayal of the devastating effects of domestic violence. (Fiction. 16-adult)

Pub Date: Dec. 3, 2019

ISBN: 978-1-5344-4281-8

Page Count: 352

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Sept. 10, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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A sweet, slow-paced novel about a teen learning to love her body.


Greer Walsh wishes she were one person...unfortunately, with her large breasts, she feels like she’s actually three.

High school sophomore and math whiz Greer is self-conscious about her body. Maude and Mavis, as she’s named her large breasts, are causing problems for her. When Greer meets new kid Jackson Oates, she wishes even more that she had a body that she didn’t feel a need to hide underneath XXL T-shirts. While trying to impress Jackson, who has moved to the Chicago suburbs from Cleveland, Greer decides to try out for her school’s volleyball team. When she makes JV, Greer is forced to come to terms with how her body looks and feels in a uniform and in motion as well as with being physically close with her teammates. The story is told in the first person from Greer’s point of view. Inconsistent storytelling as well as Greer’s (somewhat distracting) personified inner butterfly make this realistic novel a slow but overall enjoyable read. The story contains elements of light romance as well as strong female friendships. Greer is white with a Christian mom and Jewish dad; Jackson seems to be white by default, and there is diversity among the secondary characters.

A sweet, slow-paced novel about a teen learning to love her body. (Fiction. 12-18)

Pub Date: June 23, 2020

ISBN: 978-1-9848-1524-8

Page Count: 352

Publisher: Dutton

Review Posted Online: March 29, 2020

Kirkus Reviews Issue: April 15, 2020

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