A feminist tale for all good men and women who fancy they sleep well at night.

AS HIGH AS THE SCOOTER CAN FLY

A sweet little allegory with an afterbite as a sad, lonely housewife reaches adventure and despair on her flying scooter: the first US appearance for Belgium-born writer and translator Nirgad.

Layla, one of five daughters whose names start with L, lives a straitened suburban life in a cold, tight house with her own three perfect daughters and a silent, cold husband when she discovers that the rusty scooter out back can fly. First, she asks it to fly her to Alaska but is put off when the resident talking mink tells her there’s nothing but whiteness to be seen. Her sisters are well-intentioned but suspicious: Liora, the oldest, who bottles elixirs to keep her family nice and small; Lenora, the loose, unmarried one with a frigid, unfeeling heart; Lihi, the youngest, who “hadn’t learned any tricks yet”; and the sad dead sister, Luna, who was torn apart by the Winds at age 12 after the fatal pact made by their mother. Luna can come back occasionally because the sisters have promised the Winds never to love a man while he lies asleep—a promise Layla will break when she meets her Prince, for, once she gets going, there’s no stopping Layla. She flies to Prague and discovers her voice, which was always too timid to be heard. She stays out later than she should, and her husband begins to fume and offers her an ultimatum: either stay or lose her daughters. Will this seemingly innocuous little fairy tale end happily or tragically? Nirgad relies on a breezy, ironical tone, never letting the reader quite know whose side she’s on but just taking delight in telling the story. Her chatty, knowing approach is winning, leaving much to ponder in this modern-day morality tale that fathoms depths of the heart as profoundly as might Madame Bovary.

A feminist tale for all good men and women who fancy they sleep well at night.

Pub Date: Nov. 15, 2002

ISBN: 1-58567-313-7

Page Count: 192

Publisher: Overlook

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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A clever and current book about a complicated woman and her romantic relationships.

CONVERSATIONS WITH FRIENDS

The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.

Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.

A clever and current book about a complicated woman and her romantic relationships.

Pub Date: July 11, 2017

ISBN: 978-0-451-49905-9

Page Count: 304

Publisher: Hogarth

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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