A quirky novel that deals with weighty topics and emotions without taking itself too seriously.
A 31-year-old Los Angeles–area woman finds herself caught up in intrigue when the artworks she’s delivering to Paris are stolen.
Joan Blakely might be the daughter of an internationally famous artist tragically killed on 9/11 and a supermodel, but she's nothing like either of her parents, while being exactly like both. Hardworking, focused, beautiful, working at an art museum, and almost 10 years into what she thought was a happy marriage to a photographer, Joan is pretty OK with how her life has turned out. But then her husband drops a bombshell as he’s heading out of town: Not only did he have an affair, he has 5-year-old twin sons who are starting kindergarten and live not five miles away. Joan can either join the big blended family he envisions with his former assistant–cum–baby mama, children, and her, or the marriage is over. Joan doesn’t have to think twice, and the locks to their—really her and her mother’s—house are changed and divorce proceedings started while he’s out of town. The story follows Joan’s efforts to reclaim her life, trying to rediscover the self she lost 10 years previously when her father was killed aboard American Airlines Flight 11 when it hit the North Tower of the World Trade Center. She agrees to personally courier a set of Joan of Arc–related sketches from the museum where she works to Paris so that an interested buyer can take a look at them. One thing leads to another, and the sketches are stolen. An inexplicably lighthearted lark of a treasure hunt develops as Joan follows clues that lead her to various locations of personal importance to her, her father, and her mother as she tries to find the sketches.
A quirky novel that deals with weighty topics and emotions without taking itself too seriously.Pub Date: April 5, 2022
ISBN: 978-0-06-290902-2
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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