Slightly simplistic rhymes that nevertheless will help explain feelings to youngsters.
“Looking from the outside, I may seem the same as you, / but deep beneath the surface, feelings bubble, stir, and brew….”
From the cutout in the center of the cover and every page before the last, a child in knit cap and red wellies stares placidly as the scene changes with each page turn to suit a different feeling described in two couplets. British author Walden describes “brave,” “sad,” “angry,” “happy,” “jealous,” “alone,” “embarrassed,” “excited,” “afraid,” and “calm.” The simple descriptions mostly fit and won’t surprise adults: Envy is an “emerald mist,” choler is a volcano, sadness is a flood. Jones’ pastel images with ruddy highlights, some filling the page and others in small panels, depict animals and weather and other children, deftly extending the rhymed definitions, and offer identifiable visuals for young listeners. The final pair of couplets are set on a spread that shows the focal, light-skinned child sharing a country lane with other children of different races; they offer the oversimplified idea that “what you feel is who you are,” though they do go on to say we should accept that others have feelings too as we accept and “claim” our own.
Slightly simplistic rhymes that nevertheless will help explain feelings to youngsters. (Picture book. 2-7)Pub Date: Sept. 1, 2018
ISBN: 978-1-68010-093-8
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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