A smart caper with a heroine to match.
When her new job at a movie studio turns deadly, the daughter of a renowned private investigator is her company’s only hope—and the highlight of this debut mystery.
Years ago, Corrie Locke and her father cracked a murder case that could have put an NBA superstar in prison. Now she’s relieved to take on a comparatively tame position as an entertainment lawyer in sunny Newport Beach, California, where she’ll be far away from danger—or so she thinks. When Druby Valdez, the company’s former head of security, is found dead at the bottom of a lake, his co-workers suspect foul play. But Corrie is reluctant to tackle the case on her own. Her “gene for caution is a recessive one, but it’s still there,” and conducting a murder investigation is not an easy thing to do while navigating office politics. Corrie’s misadventures with her co-workers are as fun to read about as her amateur sleuthing. Inside the Complex—“a place filled with intrigue, deception, secrets, and beautiful people”—Corrie has more egos to manage than contracts to write. She deftly turns her business meetings into excuses to dig for clues, risking certain termination (as well as unwanted attention from lecherous executives) if she focuses on the wrong person. Meanwhile, Sideris also reveals, through Corrie’s other cases (a missing cat and a possible alien abduction), how Corrie’s past may have led her to her present. The author paints Corrie’s co-workers as being as devious as cartoon villains, so the list of suspects quickly becomes unwieldy. However, she also adds gentle humor and a touch of romance. Outside of work, for example, Corrie’s childhood friend Michael is sincere when others are superficial. He becomes her likable partner in fighting crime—and possibly more. Another memorable ally is Veera, a security guard and a first-year law student, who comes to work as her assistant, fending off Corrie’s enemies with creative threats like, “I’m going to dislocate all of your limbs. Then I’m gonna pour Kool-Aid all over your sorry ass and plant it in an ant’s nest.”
A smart caper with a heroine to match.Pub Date: Oct. 7, 2015
ISBN: 978-1-5092-0240-9
Page Count: 408
Publisher: The Wild Rose Press, Inc.
Review Posted Online: Sept. 22, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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