It's a tall order to follow up what is, in effect, a definitive work, but Leibovitz delivers a different sort of biography...
A slightly different look at rock royalty.
Singer-songwriter Leonard Cohen is one of rock's most polarizing figures. Those who love him do so rabidly and will soak up every morsel of music (or prose or poetry) that the baritone-voiced artist releases. One can assume that's also the case with biographies, since less than two years after Sylvie Simmons' phenomenal I'm Your Man was published, here comes another study of the revered Canadian troubadour. Though Tablet writer Leibovitz (co-author: Fortunate Sons: The 120 Chinese Boys Who Came to America, Went to School, and Revolutionized an Ancient Civilization, 2011, etc.) doesn’t add much new material to the Cohen biographical canon, his approach is certainly different than that of Simmons; it's considerably more academic. Religion was (and is) among Cohen's pet topics about which to write, and Leibovitz follows suit, at times even quoting the Bible to illuminate a concept. In one instance, he pulls a line from the book of Romans in a discussion about the Doors, noting, "The New and Old Testaments alike are books of waiting; the humans who populate them speak of salvation and cataclysm, but more than anything they linger in anticipation for God to act." That sort of academic verbiage permeates the discussions of Cohen's relationship with Judaica. On the plus side, Leibovitz's research and sources are impeccable, and there are plenty of good anecdotes to lighten up what could have been a dry study of this important performer. In an account of a 2008 performance, Leibovitz writes: “In true Zen fashion, it turned out that all he needed to do to let his songs state their case was nothing but accept Lorca’s definition of duende and allow the tightly closed flowers of his spare arrangements bloom into a thousand petals.”
It's a tall order to follow up what is, in effect, a definitive work, but Leibovitz delivers a different sort of biography that Cohen fanatics should appreciate.Pub Date: April 14, 2014
ISBN: 978-0-393-08205-0
Page Count: 256
Publisher: Norton
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
A crash course in big-bucks tort litigation, as rich as any novel on the scene. In the mid-'70s, the small industrial town of Woburn, Mass., found itself afflicted with a plague of biblical dimensions: 12 local children, 8 of them close neighbors, had died (or were dying) of leukemia. The parents suspected the water supply, which was foul-smelling, rusty, and undrinkable, but they had no hard evidence of a link to the cancers. But in 1979, the accidental discovery of carcinogenic industrial wastes in the town's wells led the grieving parents to hire personal-injury lawyer Jan Schlichtmann, new to the profession but intoxicated with the sizable damages he'd won so far. This is magazine journalist Harr's first book, but his complex portrait of Schlichtmann is the work of a master. Egomaniacal, quixotic, workaholic, greedy, altruistic, and naive, Schlichtmann is Everylawyer, and as he allows the Woburn case to consume his practice, he almost loses his license and his life. Harr wisely downplays the dying-children angle, focusing instead on Schlichtmann's case against the two corporate Goliaths who dumped the waste: Beatrice Foods (represented by Jerome Facher of Boston's Hale & Dorr) and W.R. Grace (represented by William Cheeseman of Boston's Foley, Hoag & Eliot). Despite their white- shoe lineage, Facher and Cheeseman play dirty, withholding evidence and repeatedly seeking Schlichtmann's suspension for having filed a ``frivolous'' lawsuit. But the real villain of the story is Federal District Judge Walter J. Skinner, whose personal dislike of Schlichtmann (and camaraderie with Facher) leads him to grant the defense's motion to split the trial into two protracted phases. By the time Judge Skinner submits four incomprehensible questions to be bewildered jury, Woburn's young victims have been forgottenand the whole legal system has suffered a tragic loss. A paranoid legal thriller as readable as Grisham, but important and illuminating. (Film rights to Disney)
Pub Date: Sept. 1, 1995
ISBN: 0-394-56349-2
Page Count: 512
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
A generous and singularly insightful examination of memoir.
A bestselling nonfiction writer offers spirited commentary about memoir, the literary form that has become synonymous with her name.
Personal narrative has exploded in popularity over the last 20 years. Yet, as Karr (Lit: A Memoir, 2009, etc.) points out, memoir still struggles to attain literary respectability. “There is a lingering snobbery in the literary world,” she writes, “that wants to disqualify what is broadly called nonfiction from the category of ‘literature.’ ” In this book, Karr offers both an apology for and a sharp-eyed exploration of this form born from her years as a practitioner as well as a distinguished English professor at Syracuse University. She begins by considering classroom “experiments” she has conducted to show the slipperiness of memory and arguing the need to give latitude to writers tackling memoir. Writing with the intent to record what rings true rather than exact is one thing; writing with the intent to lie is another. Voice is another critical aspect of any memoir that manages to endure through time. By examining works by writers as diverse as Frank McCourt and Vladimir Nabokov, Karr demonstrates that it is in fact the very thing by which a great memoir “lives or dies.” Rather than focus on the narrative truism of “show-don’t-tell,” Karr thoughtfully elaborates on what she calls “carnality”—the ability to transform memory into a multisensory experience—for the reader. When wed to a desire to move beyond the traps of ego and render personal “psychic struggle” honestly and without fear, carnality can lead to writing that not only “wring[s] some truth from the godawful mess of a single life,” but also connects deeply with readers. Karr’s sassy Texas wit and her down-to-earth observations about both the memoir form and how to approach it combine to make for lively and inspiring reading.
A generous and singularly insightful examination of memoir.Pub Date: Sept. 15, 2015
ISBN: 978-0-06-222306-7
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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