Come for the LA intrigue; stay for the surprising moral of the story.
Hero worship meets compelling biography in Vanity Fair contributing editor Anolik’s (Dark Rooms, 2015) nonfiction debut.
A cultural fixture in Los Angeles in the 1960s and ’70s, Eve Babitz (b. 1943) eclipsed the label of groupie. She was a socialite who managed to intertwine herself with Steve Martin, Warren Zevon, Jim Morrison, Yoko Ono, and Andy Warhol, a Hollywood High graduate–turned-author whose teen years defined her writing. She was well-known but also dismissed by some, including novelist Julia Whedon: “I discern in Babitz the soul of a columnist, the flair of a caption writer, the sketchy intelligence of a woman stoned on trivia.” However, Anolik shows that Whedon was shortchanging the woman who famously posed nude over a chessboard with Marcel Duchamp (he was clothed). The author is entirely up front about her obsession with her subject. A love for Babitz’s writing turned into a deep dive to uncover the woman who pitched her first novel, Travel Broadens, in 1961 to Catch-22 author Joseph Heller with a letter that read, “Dear Joseph Heller, I am a stacked eighteen-year-old blonde on Sunset Boulevard. I am also a writer.” As Anolik shares, the provocative message was classic Babitz: “playing the sexy, boobalicious girl.” That character certainly made a significant impression during her heyday, but it was Babitz’s style and fictive memoirs that defined her as something of a female Hunter S. Thompson, a drugged-out sex kitten with brains. Throughout the book, Anolik shares deep cuts from Babitz’s writing and influence over the major players of the era. But as with any dishy tale, there are times when the narrative gets caught in its own name-dropping cyclone and feels just as shallow as some of the stars it portrays. Fortunately, the author counters this problem with a poignant rendering of Babitz’s tragedy: a freak fire that destroyed her once-renowned beauty—but not her chutzpah.
Come for the LA intrigue; stay for the surprising moral of the story.Pub Date: Jan. 8, 2019
ISBN: 978-1-5011-2579-9
Page Count: 288
Publisher: Scribner
Review Posted Online: Oct. 8, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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