A meandering and overindulgent book that spends too much time on the intricacies of Egyptian mysticism.
A mystical tale about a gifted princess living at the twilight of the Egyptian Empire.
Lizla is the last in a line of powerful rulers in the Egyptian Empire. Her father, a mighty Pharaoh, was killed years before while protecting his empire from foreign invaders, and his legacy of peace and union is of great importance to Lizla. She feels the weight of her responsibility and talents at an early age. She begins training with the famous priest Ra-Ta, who recognizes her supernatural gifts and the ability to transcend the corporeal world. The priest guides Lizla into a trance, where she speaks with the Goddess Iris, her spiritual predecessor. Under Ra-Ta’s instruction, she takes residence at the Temple of Love, where she immerses herself in mystical teachings and is surrounded by other gifted students. At the Temple, she reunites with her estranged childhood love, Mikos, who is at the Temple to study medicine. All is not well at the Temple of Love, however–during a stroll through the grounds, Lizla overhears several high-ranking officials discussing an invasion from hostile foreigners. Unfortunately, the issue of the invasion never gets fully resolved, and the story becomes bogged down in tangential explanations of Egyptian philosophy and mysticism. Much of the story is spent describing Lizla’s supernatural experiences, but these become too frequent and episodic, and as a result, the story stalls at points. For the book to achieve that special, ethereal nature that other spiritual tomes achieve, the prose needs to take on a more reserved and Spartan tone, and the reader left to do his own thinking.
A meandering and overindulgent book that spends too much time on the intricacies of Egyptian mysticism.Pub Date: Sept. 6, 2007
ISBN: 978-0-595-45682-6
Page Count: 167
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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