Guesthouse cook Kirsty MacLennan gives up her post on the mainland for a marriage proposal that returns her to the islands where she grew up: more hardscrabble Hebrides romance from a veteran (A Proper Woman, 1987, etc.). Kirsty's suitor, even more laconic than she, is Ruari MacDonald, who's so taken by her hospitality and good nature, plus her vestigial Gaelic, that he writes her an unsentimental letter of proposal only a few days after they meet. After surveying her prospects, long-orphaned Kirsty wonders mainly whether it's proper for her to leave her petty employer's household without giving notice. She doesn't; in one of the novel's many small satisfactions, she announces that she's leaving as her husband (they've been quietly married by now) is calling a cab. Ensconced among the austere comforts of Westisle, Kirsty's baffled by Ruari's standoffish brother, also named Ruari, whose gruffness extends to ignoring her presence, volunteering not a word to her, and making it clear to his brother that he's made a mistake in bringing a woman to the desolate island. Even so, Kirsty becomes deeply attached to the place despite her husband's apparent lack of sexual interest in her (``She had married him for a home and the ring on her finger''), and the growth of her family—with her pregnancy and her informal adoption of Jamie Eilidh, an unwanted, stammering boy with an ethereal singing voice—seems to promise well for her future with Ruari, until a series of disasters (more surprising to Kirsty than to her readers) shows her where her deepest loyalties lie. Beckwith is a past master of the spare, uncondescending simplicity that allows Kirsty to reflect at close of day: ``First a new calf had been born, next she had been to a wedding, then her brother-in-law had broken his silence and now she was no longer a virgin.''
Pub Date: Jan. 18, 1994
ISBN: 0-312-10483-9
Page Count: 176
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1993
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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