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WOMAN

THE AMERICAN HISTORY OF AN IDEA

An intelligently provocative, vital reading experience.

The distinguished feminist historian analyzes how the concept of woman has evolved over almost 500 years of American history.

Woman, Faderman argues, is a patriarchal concept with roots that run deep. Even the most liberal views of (White) womanhood, such as those of 17th-century Puritan minister Roger Williams, centered around woman as the “weaker Vessel…more fitted to keep and order the House and Children.” Wealthy women, especially widows, had slightly more agency, but a woman’s place, then and in the centuries that followed, was in the home. As the states expanded into Native American land, that idea was forced on Native women throughout the territories. At the same time, enslaved women suffered both race and gender marginalization that, as Angela Davis noted, “annulled” their womanhood. By the 19th century, women transformed the chains that bound them to woman into what Faderman calls the “visas” that took them out of the home and allowed them to “claim a voice in the public square.” Yet even as females—largely middle-class and White—gained greater access to public life in the 20th century, patriarchy, in the guise of medical science, denounced independent-minded women for violating gender norms. By the 1980s, Faderman engagingly demonstrates, thinkers like the radical lesbian feminist Monique Wittig called woman a dangerous patriarchal “myth” and helped liberate the concept of gender—and gender-prescribed behaviors—from sexuality. Faderman ably brings the discussion into the 21st century and the present day, when nonbinary conceptions of gender are gaining further acceptance in the mainstream even as the resolutely patriarchal system—perfectly embodied by Donald Trump and his cohorts—continues to fight against anything other than a strictly binary gender structure. This highly readable, inclusive, and deeply researched book will appeal to scholars of women and gender studies as well as anyone seeking to understand the historical patterns that misogyny has etched across every era of American culture.

An intelligently provocative, vital reading experience.

Pub Date: March 15, 2022

ISBN: 978-0-300-24990-3

Page Count: 576

Publisher: Yale Univ.

Review Posted Online: Jan. 4, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

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An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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