A woman is given a second chance at first love.
On the surface, Rita Chitniss is thriving. She runs Dharma Designs, a furniture upcycling business that has become so popular in her North Carolina community that her internet-famous neighbors clamor for her pieces. Her boyfriend, Neil Dewan, is handsome, successful, and ready to settle down. And she’s got two dogs, Freddie and Harrie, whom she adores. But Rita has a big problem: Neil is the son of Amar Dewan, the man Rita’s mother once hoped to marry—before Amar left her for Neil’s mother. Because of the bad blood between their families, Rita is determined to keep her relationship a secret. But when she shows up at her parents’ for lunch to find her mother has also invited her ex-boyfriend Milan Rao, now a real estate agent who needs help flipping an unsellable house, Rita agrees to the project only to prove that she’s over him. To cement the idea, she signs herself and Neil up for famed Desi dating site MyShaadi, hoping that when they’re matched their families will bless the relationship. Instead, she matches with Milan. And when one house-flip turns to two, their proximity brings old feelings to the surface. The writing has some standout moments, from the author’s celebration of Indian American culture to her lush and mouthwatering descriptions of food. But too much space is taken up rehashing Rita’s feelings about the past, resulting in minimal romantic chemistry and characters who feel one-note—including Rita’s best friend, Rajvee, who's described as genderfluid but gets no on-page exploration of their identity beyond that.
This rom-com could have used a better setup.Pub Date: Sept. 7, 2021
ISBN: 978-0-593-32871-2
Page Count: 368
Publisher: Putnam
Review Posted Online: June 16, 2021
Kirkus Reviews Issue: July 1, 2021
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE
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BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
47
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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 27, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE | GENERAL FICTION
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SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
185
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: GENERAL ROMANCE | ROMANCE | CONTEMPORARY ROMANCE
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SEEN & HEARD
SEEN & HEARD
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