A German native and Australian author evokes the rich texture of modern-day Jewish-Australian life in these 16 engagingly down- to-earth tales—first published in Australia, where they won the 1992 National Steel Award, and Brett's first collection to be published here. In ``Moishe Zimmerman's Wife,'' 38-year-old Ruthie Brot succumbs to decades of sexual frustration by having an affair with Abe Lipshitz, a married man passed along by a fellow aerobics student. Not far down the road, in ``Something Shocking,'' adultery works a more evil magic on one of Ruthie's sisters-in-law, Susan Silver, who reacts to her own husband's extramarital affair by painting ``My husband is schtooping a shikse'' across the front of their house. Other members of Ruthie's tightknit Melbourne circle have their own, equally all-encompassing stories, most highlighting the tension between the Jewish past and present and each getting fair exposure here. These include, in ``Half-There,'' the obsession of Ruthie's other sister-in-law, Golda Goldenfein, with her experience as the daughter of concentration camp survivors; in ``What God Wants,'' Ruthie's father's announcement that his much younger Filipino wife is going to have a child; and, in ``Moving Meals,'' Abe's wife's frantic efforts to lose herself in volunteer work until her husband's love affair has run its course. As the months pass, few here are ever actually abandoned, though many temporarily stray, while gossip is energetically circulated via telephone calls, lunches, and the all-important weekly women's gin rummy game. Just when the tales of bed-hopping and scandal- mongering begin to wear on the soul, one of the more thoughtful protagonists, mildly neurotic Susan Cohen, flies off to New York with her family, where her sudden solitude allows for welcome depth and texture after the chattier Melbourne stories. Brett's abrupt, unadorned style can be off-putting, but, as with many of her characters, one grows fond in the end. Sketches throughout by David Rankin, the author's husband.
Pub Date: Sept. 1, 1993
ISBN: 1-55972-193-6
Page Count: 264
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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