A German native and Australian author evokes the rich texture of modern-day Jewish-Australian life in these 16 engagingly down- to-earth tales—first published in Australia, where they won the 1992 National Steel Award, and Brett's first collection to be published here. In ``Moishe Zimmerman's Wife,'' 38-year-old Ruthie Brot succumbs to decades of sexual frustration by having an affair with Abe Lipshitz, a married man passed along by a fellow aerobics student. Not far down the road, in ``Something Shocking,'' adultery works a more evil magic on one of Ruthie's sisters-in-law, Susan Silver, who reacts to her own husband's extramarital affair by painting ``My husband is schtooping a shikse'' across the front of their house. Other members of Ruthie's tightknit Melbourne circle have their own, equally all-encompassing stories, most highlighting the tension between the Jewish past and present and each getting fair exposure here. These include, in ``Half-There,'' the obsession of Ruthie's other sister-in-law, Golda Goldenfein, with her experience as the daughter of concentration camp survivors; in ``What God Wants,'' Ruthie's father's announcement that his much younger Filipino wife is going to have a child; and, in ``Moving Meals,'' Abe's wife's frantic efforts to lose herself in volunteer work until her husband's love affair has run its course. As the months pass, few here are ever actually abandoned, though many temporarily stray, while gossip is energetically circulated via telephone calls, lunches, and the all-important weekly women's gin rummy game. Just when the tales of bed-hopping and scandal- mongering begin to wear on the soul, one of the more thoughtful protagonists, mildly neurotic Susan Cohen, flies off to New York with her family, where her sudden solitude allows for welcome depth and texture after the chattier Melbourne stories. Brett's abrupt, unadorned style can be off-putting, but, as with many of her characters, one grows fond in the end. Sketches throughout by David Rankin, the author's husband.
Pub Date: Sept. 1, 1993
ISBN: 1-55972-193-6
Page Count: 264
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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