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THE ASTRONAUT WIVES CLUB

A TRUE STORY

Insightful social history with a light touch.

Koppel (The Red Leather Diary: Reclaiming a Life through the Pages of a Lost Journal, 2008, etc.) explores the cohesiveness of a group of wives who formed an unofficial support group and their individual development during the early years of the Cold War.

With the announcement on April 9, 1959, of the “nation’s first astronauts,” the women’s lives changed, as they became instant celebrities along with their husbands. From Project Mercury to the Apollo program and the moon landings, the author traces how the lives of the wives of the original astronauts were transformed by these developments. Ubiquitous reporters, anxious to cover their most intimate moments, and their new status as American icons, intruded into every aspect of their daily lives. Being impeccably groomed became yet another challenge to their existence as de facto single mothers; their husbands were away training for their missions into space. Although they were familiar with the typical stresses facing the wives of career military officers—their husbands’ long absences (sometimes on dangerous missions), poor pay, dismal living quarters, frequent moves and more—this public exposure was a first. They had their own part to play in a less obvious aspect of winning the Cold War: the public-relations offensive. The wives were guests at the White House and joined their husbands on international goodwill tours, showcasing the much-envied American lifestyle. Not only were astronauts judged by their own performance, but their wives and children were also rated. Koppel describes their appearance on the pages of Life magazine, looking like “scoops of ice cream” in their “pressed pastel shirtwaists.” The glamor of Jackie Kennedy was a welcome change, and they enjoyed the perks that came with celebrity, including a lucrative contract with Life.

Insightful social history with a light touch.

Pub Date: June 11, 2013

ISBN: 978-1-4555-0325-4

Page Count: 384

Publisher: Grand Central Publishing

Review Posted Online: April 16, 2013

Kirkus Reviews Issue: May 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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