A compelling and empathetic introduction to displacement and mutual aid.
In this debut picture book, a Palestinian American girl befriends a refugee from her father’s homeland.
Yasmeen doesn’t understand why she must help her father, an immigrant from Palestine, bring donations to the masjid for refugees on the weekend. At his insistence, they go to their mosque, where Yasmeen encounters a girl named Sumoud. They discover they have a lot in common, such as being big sisters and liking Taylor Swift. The conversation soon shifts to the hardships of living in a Palestinian refugee camp. Sumoud explains: “The tents at the camp didn’t protect us from the bad weather, and the water we drank wasn’t always clean, so we got sick a lot.” That night, Yasmeen dreams of what her life would have been like if Baba had never left Palestine, an image so terrifying that it spurs her into action. She not only leaps at the opportunity to return to the masjid the following weekend, but also plans to find ways to help kids like Sumoud adjust to their lives in new countries. This beautiful book bridges a gap between cultures that has seen little attention from the publishing world despite the scale and immediacy of the conflict it addresses. Abdulkarim thoughtfully introduces Sumoud’s world to readers through Yasmeen— as well as some basic Arabic vocabulary through asides in the corners of some pages. Alshalabi’s illustrations are full of muted natural tones that emphasize the text’s meditative nature.
A compelling and empathetic introduction to displacement and mutual aid.Pub Date: Sept. 3, 2024
ISBN: 9798991381918
Page Count: 28
Publisher: N/A
Review Posted Online: April 7, 2025
Review Program: Kirkus Indie
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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