There have been several recent stories about Santa’s origins, but this one is the shortest and simplest, accessible to the...

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WHEN SANTA WAS A BABY

A little boy named Santa grows up with definite tastes of his own in this humorous story about the origins of Santa Claus.

Even as a baby, little Santa is developing into his own person. He already has dimples and a cute little nose, “like a cherry.” (Bailey effortlessly weaves recognizable snatches of “The Night Before Christmas” into the text throughout the book.) He doesn’t coo like other babies—he just starts talking with a bold “HO, HO, HO!” Santa’s supportive parents love everything about him, so they let him wear red clothes and allow him to give away his birthday presents to his friends. Little Santa trains a family of hamsters to pull a matchbox sleigh, and he is very interested in the chimney and the ashes in the fireplace. As Santa gets older, he and his much shorter best friend, green-clad Eldred, like to make toys together. The final pages of the understated, witty story show Santa growing into his adult life, fulfilling all his childhood interests and dreams. The last page shows cookies and milk left out for Santa Claus with a note from his still-doting parents. Simple illustrations with white backgrounds use textured surfaces and blurred edges that provide a nostalgic feel of remembered childhood. Young Santa shows characteristics that he will still have as an adult, including his round belly and jocular wave.

There have been several recent stories about Santa’s origins, but this one is the shortest and simplest, accessible to the youngest of Santa’s fans. (Picture book. 3-7)

Pub Date: Oct. 13, 2015

ISBN: 978-1-77049-556-2

Page Count: 32

Publisher: Tundra

Review Posted Online: Aug. 12, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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This celebration of cross-generational bonding is a textual and artistic tour de force.

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LAST STOP ON MARKET STREET

A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.

CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.

This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-25774-2

Page Count: 32

Publisher: Putnam

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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