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CHARM AND STRANGE

POEMS

Powerful, well-wrought poems that consider mystery with discipline and nuance.

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These lyrical poems inhabit a world of dreamscapes, enigmas, and the numinous.

In her second collection, following The Last Eclipsed Moon(2008), Casebeer brings together 51 poems, many previously published in literary magazines. The title poem refers to two types of a quark, a fundamental subatomic particle. In 1990, the year Robert Taylor won the Nobel Prize in physics for his work on quarks, the speaker in this poem “had so little time to wonder / about the heart of anything,” consumed with “children and work / dogs and cats lilies and irises,” that she didn’t pay much attention to his achievement. Noting that the very term quarkscomes from James Joyce’s Finnegans Wake, whose opening line starts in the middle of a sentence, the speaker suggests that literature has the greater claim to what’s fundamental, since a story—unlike matter—can begin anywhere. “Charm and strange” also encapsulate the book’s sense of forces that are, like the quark, elusive. Dreams and death, for example, figure in the opening piece, “Imagine the weight.” The speaker has anxiety dreams about time-pressured tasks she must perform, including some related to her (now dead) parents. They’re late in two senses, and in the slowness of living, she can’t catch up. The short, unpunctuated lines convey her breathlessness well. In all these poems, Casebeer’s craft is evident in the lines’ precision and economy. Similarly, in “Symbol,” the speaker’s fears for her husband and his “deathrattle / crisis” aren’t stated explicitly but are expressed instead by the disturbing image of shrikes, predator birds “that impale their prey / on thorns since they have no talons / only a songbird’s delicate feet.” Other poems engage with politics and social issues, but whatever the subject, the author goes devastatingly to the heart of things.

Powerful, well-wrought poems that consider mystery with discipline and nuance.

Pub Date: July 1, 2020

ISBN: 978-1-952570-61-2

Page Count: 134

Publisher: Adelaide Books

Review Posted Online: Nov. 18, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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THE FOUR WINDS

For devoted Hannah fans in search of a good cry.

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The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.

“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.

For devoted Hannah fans in search of a good cry.

Pub Date: Feb. 9, 2021

ISBN: 978-1-2501-7860-2

Page Count: 464

Publisher: St. Martin's

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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