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TAKE BIG BITES

ADVENTURES AROUND THE WORLD AND ACROSS THE TABLE

All in all, a great ride with a homegrown American original.

Television host Ellerbee roams around the world and through her memories, one meal at a time.

Ellerbee (Girl Reporter Blows Lid Off Town, 2000, etc.) is known in the industry as a straight-shooter, and the voice that got her fired from NBC is back with a vengeance in the third volume of her memoirs. Warm and brisk, utterly conversational, way beyond sassy, Ellerbee is afire to share the lessons she’s picked up and the dishes she’s consumed in her first 60 years of making an impact. During her Texas childhood, she was convinced that her mother’s fudge pie played a large part in her popularity. In a newly opened Vietnam, she conceived a passion for Pho, and in Bolivia (her first foreign tour—as a teenage missionary), she learned to love street food. There is no real discernible pattern to these extended meditations, although there are themes. Recollections of her very young folk-singing days are followed by an account of cruising on Malcolm Forbes’s yacht, that then followed by a piece about feeding the hungry in inner-city Baltimore. A revelation about the surprising comforts of cruise ships is placed next to her account of reporting from Afghanistan—post-Taliban, pre-stability. Ellerbee’s injustice radar still has a hair-trigger—targets include the wealth of the church in the poorest of nations, and any society that seeks to restrict women in any way. Many of her essays are about the difficulties of growing older. Though the pieces can be sharp and sappy by turns, sometimes in the same paragraph, Ellerbee’s charisma and immediacy operate like a tractor, drawing the reader smack into the heart of how it is to be a cancer survivor, to lose your parents, to be alone—or to raft down the Colorado, watch your children marry, or whip up a Frito Pie.

All in all, a great ride with a homegrown American original.

Pub Date: May 5, 2005

ISBN: 0-399-15268-7

Page Count: 200

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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