Both a loving family story and a deft introduction to the significance of the holiday.

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TALIA AND THE VERY YUM KIPPUR

Once again, Talia (Talia and the Rude Vegetables, 2011) misunderstands her grandmother, this time for the Yom Kippur holiday “break-fast” meal.

At her grandmother’s farm, Talia is excited to help with the preparation of tomorrow’s “YUM Kippur breakfast” by gathering the ingredients for a noodle kugel that will accompany a spread of cookies, cakes, tuna salad, and blintzes. But the next morning, Talia is served the usual cereal and fruit, while everyone else abjures breakfast altogether and leaves for the synagogue. A bit confused, Talia ponders over her grandmother’s explanation: it is Yom (meaning day) Kippur, a day of remorse and reflection, not YUM (delicious) Kippur, and in the late afternoon, the family will enjoy a big meal that breaks the daylong fast. Marshall adeptly exploits the nuance of language and its use in context to introduce the significance of the holiday’s atonement through prayer and fast in a simple way for young children. The long, slow—the opposite of fast!—day alone with Grandma gives Talia the opportunity to think about her own shortcomings and to apologize. The folk-style illustrations in deep tones evoke this sweet and endearing little girl’s day with her loving elder.

Both a loving family story and a deft introduction to the significance of the holiday. (Picture book/religion. 3-5)

Pub Date: Aug. 1, 2015

ISBN: 978-1-4677-5236-7

Page Count: 24

Publisher: Kar-Ben

Review Posted Online: June 6, 2015

Kirkus Reviews Issue: June 15, 2015

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Skip this well-meaning but poorly executed celebration.

I LOVE DADDY EVERY DAY

Children point out the things they love about their fathers.

“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.

Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)

Pub Date: March 24, 2020

ISBN: 978-0-593-12305-8

Page Count: 32

Publisher: Rodale Kids

Review Posted Online: March 18, 2020

Kirkus Reviews Issue: April 1, 2020

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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Utterly artless but familiar; good for families whose children are nuts for Muppets.

GROVER AND BIG BIRD'S PASSOVER CELEBRATION

The well-known Sesame Street characters visit Israel and impart information about the Passover holiday and story while on their way to a seder at the home of friends Avigail and Brosh.

After a flat tire on the bus, Grover and Big Bird decide to walk, only to get lost. On the way, they help a boy catch his runaway dog, carry groceries for an elderly woman, and convince the grouchy Moishe Oofnik to finally give them a ride to the seder with the promise of eating bitter herbs. “My favorite! Hop in.”  Forced segues within this light-as-a-feather plot lead to snippets of information about the holiday and the celebratory dinner’s traditions, such as the Four Questions, the afikomen ritual and the theme of freedom. For example, worried about being late, Big Bird frets, “Yes, but now we’d really better hurry.” Grover replies, “Did you know…that the Jewish people were in a hurry when they followed Moses out of Egypt?” Familiar Muppet figures fill the commercial-looking illustrations. Bold primary colors depict Grover and Big Bird’s journey; thought-bubble sequences of the ancient Exodus are populated by bewildered-looking generic Muppet faces. Once the seder is complete, an enlightened Big Bird expresses his appreciation and wish to celebrate next year in Jerusalem.

Utterly artless but familiar; good for families whose children are nuts for Muppets. (Picture book. 3-5)

Pub Date: Feb. 1, 2013

ISBN: 978-0-7613-8491-5

Page Count: 24

Publisher: Kar-Ben

Review Posted Online: Jan. 28, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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