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WE HAD IT SO GOOD

Although engrossing, there’s an emotional vacuum at the heart of this cool, clever critique.

A shrewd baby-boomer chronicle from a prize-winning British writer observes the children of the 1960s turning into conventional adults despite themselves.

“We’ll never grow old,” says Stephen Newman, the American science journalist at the center of Grant’s (The Clothes on Their Backs, 2008, etc.) latest novel, a wry overview of the cyclical chasm of understanding between parents and children. The particular generation in her sights is the one “born in sunshine” with the music, politics, style, drugs and opportunities of the '60s. Stephen, the never-completely-convincing son of a Jewish immigrant, arrives in Oxford in 1968 aged 22, a Rhodes Scholar and merchant seaman who sailed to England in the company of young Bill Clinton. Sent down from Oxford for defacing a book, Stephen and his girlfriend Andrea—whom he marries to avoid the draft—move via a London squat to an apartment where, as other rooms in the house fall vacant, they take them over, eventually owning a valuable property in a fashionable suburb. Andrea becomes a psychotherapist, Stephen a BBC producer. They have two children, Max and Marianne, who regards her parents’ generation as phonies who “had been given everything and squandered it.” Years pass, history impinges, bodies start to fail, the adults comprehend their own parents differently and the children find their own solutions and salvations. Not much change there then.

Although engrossing, there’s an emotional vacuum at the heart of this cool, clever critique.

Pub Date: April 26, 2011

ISBN: 978-1-4516-1740-5

Page Count: 272

Publisher: Scribner

Review Posted Online: Feb. 1, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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BELOVED

Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...

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Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.

Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.

Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."

Pub Date: Sept. 16, 1987

ISBN: 9781400033416

Page Count: 352

Publisher: Knopf

Review Posted Online: Sept. 29, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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