Next book

THE CLOTHES ON THEIR BACKS

Intelligent, distinguished and psychologically astute.

A brilliant little novel—winner of the Orange Prize—concerning family, memory and transformation.

In passing a formerly smart London dress shop now going out of business, Vivien Kovaks runs into the shop proprietor, a former lover of her uncle Sándor, a week after the death of Vivien’s father. Grant (When I Lived in Modern Times, 2001, etc.) uses this chance encounter to set the scene for Vivien’s reminiscence about her past, a time decades before when she had “learned the only truth that matters: that suffering does not ennoble and that survivors survive because of their strength or cunning or luck, not their goodness, and certainly not their innocence.” Vivien sweeps us into a narrative about her parents, Ervin and Berta, refugees from Hungary who moved to London shortly after World War II to start a new life. Vivien is curious about their past because it contains the seeds of her own, but her parents are decidedly reticent about sharing information on their former life, preferring instead to live within a narrowly circumscribed and risk-free circle of silence. Enter Sándor, a flamboyant and successful slumlord who’s spent time in gaol for his shady business activities (and who’s been labeled “the face of evil” by the London press). He’s now out of prison, bent but not broken, and he commissions Vivien to help him write his life story; both are aware of their family connection, yet both keep up the pretense that they’re just strangers. Vivien must keep her role of amanuensis secret from her father, who’s violently opposed to Sándor’s dubious professional activities. Much of the story involves Vivien getting in touch with her own identity by uncovering her father’s; by dealing with the freakish and tragic death of her young husband on their honeymoon; and by engaging in and then walking away from a torrid sexual relationship with a young punk.

Intelligent, distinguished and psychologically astute.

Pub Date: Nov. 25, 2008

ISBN: 978-1-4391-4319-3

Page Count: 304

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2008

Next book

CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview