An elucidating, caustic engagement with the author’s depression.
Having affectingly grappled with the demons that led to her mother’s suicide in Searching for Mercy Street (1994), Sexton takes on her own in this stinging chronicle of a road to three attempted suicides.
The author begins the story, and punctuates it throughout, by revisiting her mother’s mental illness. Anne Sexton, the celebrated confessional poet, came from a long line of depressives. Though she may have passed a suicide gene along to her daughter, she also did much to nurture the urge, speaking to her of the voices in her head, accusing her daughter of being the one who made her sick and being altogether too confessional when it came to lovers and sex. So Sexton fille had plenty of fuel for her own depression, which was voracious and amplified by motherhood, a grim cocktail of loneliness, grief, despair, migraines, a bipolarism that swung between gloom and agitation (no euphoric highs here) and a terrible descent from mind pain to physical pain. Sexton is a dark wizard at describing her misery, which effectively turned her into a zombie, and the impulses that drove her to start cutting herself: “It’s a way of letting the poison out. Taking control again…It makes the voice in my head shut up. To bleed is a way of knowing you’re alive.” The author provokes both scorn and sympathy, and she ably captures both the corrosive emotional storm in her head and the exhausted wariness she produces in others. Only occasionally does she overwrite—“I was ready to make music with the keyboard of my wrist”—and lose the scouring immediacy of her condition, when “[s]uicide simply came up from behind and took me in a bear hug” and she became “a mother who, as her own mother before her, had lost her grip on love.”
An elucidating, caustic engagement with the author’s depression.Pub Date: Jan. 1, 2011
ISBN: 978-1-58243-718-7
Page Count: 336
Publisher: Counterpoint
Review Posted Online: Sept. 29, 2010
Kirkus Reviews Issue: Oct. 15, 2010
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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