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LOVE AND WAR

Impressive prose unfortunately used to describe unreal protagonists.

Set against the backdrop of the political upheaval of the 1960s, Finigan’s novel follows two intersecting stories about youngsters coping with loss.

Judging by the title alone, this first-time author has no dearth of ambition, setting her sights on the grandest of human themes. The narrative tells two tales, both about youngsters struggling to find purpose in the midst of culturally chaotic times. Molly Drayton leaves her insular and emotionally stunted family unprepared for the social ferment of college life. Beguiled by radical politics, she becomes a reporter for a student-run newspaper and revolts against her father’s conservatism, a rebellion that intensifies after he becomes undersecretary of defense. Despite her visceral, ideological commitments, she still seems unable to fix a secure identity, despite describing herself as a “tortured political type.” Jack Masterson, on the other hand, has neither the money nor the interest to pursue a college degree. He delays marrying his girlfriend and searches for adventure by joining the Marines. Of course, he ends up getting much more than he signed up for and is eventually haunted by the dark memories of combat. Jack returns home fractured and marries his girlfriend, only to leave her and his young child shortly thereafter. The prose can be affecting, especially when describing Jack’s harrowing experience in Vietnam: “A Marine’s severed arm lay in a pool of blood, the olive green sleeve still buttoned at the wrist. Jack recognized the thick wedding band, and remembered a man lighting his cigarette in those last moments beneath the red bulb pitching with the waves. Bile rose from his stomach, a foul taste in his throat.” However, the entire story hinges on two characters who remain frustratingly abstract. Jack is a familiar type—the disillusioned veteran dogged by the painful remembrances of war—but he doesn’t bloom into something more. And while Molly has inner turmoil of her own—the suicide of a mother she was always emotionally estranged from—she reads as too achingly naïve to bear. These two underdeveloped characters ultimately connect in a romantic union equally contrived and, therefore, equally unbelievable.

Impressive prose unfortunately used to describe unreal protagonists. 

Pub Date: Jan. 20, 2011

ISBN: 978-0982904374

Page Count: 373

Publisher: Cobalt House, LLC

Review Posted Online: March 13, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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