A charming and easygoing look at all kinds of love and the beauty of independence, featuring supremely likable characters.
A woman returns to her hometown of Calcasset, Maine, to clean out her recently deceased great-aunt’s house—but runs into a few surprises along the way.
When Laurie Sassalyn’s beloved great-aunt Dot dies at the age of 93, Laurie takes on the job of cleaning out her house. Even as a child, Laurie idolized Dot and the life she lived as a single, adventurous woman. Dot traveled, never got married, and (most important to Laurie, who grew up with four brothers and a constant stream of noise) had a silent house. Now that Laurie’s almost 40, she’s re-created Dot’s life for herself in Seattle, where she lives in peace, enjoying her job as a freelance nature writer and spending her free time with her many friends. Cleaning out Dot’s house is a big task, but Laurie thinks Dot deserves the respect of having someone go through her stuff instead of just trashing everything. Alongside the many books and boxes full of old photos, Laurie finds something surprising—a wooden duck, carefully kept in a cedar chest. Laurie can sense that this duck was important to Dot, and she enlists the help of a “bereavement declutterer” to help her discern its value. She also reconnects with librarian Nick Cooper, the high school boyfriend she dumped when she realized that he wanted to stay in Calcasset. Nick and Laurie have both changed over the years—he’s been married and divorced, and she’s broken off an engagement—but what hasn’t changed is their deep connection. Nick and Laurie grow closer as they search for answers about the mysterious duck—especially when their search leads them to what might be the world’s first wooden duck heist. As Laurie’s feelings for Nick grow, she starts to wonder if her friend June is right when she says, “You don’t have to be single to be independent. And you don’t have to be married to be loved.” As in her debut, Evvie Drake Starts Over (2019), Holmes displays a gift for warm, richly drawn characters and situations that are as cozy as a steaming cup of tea. Laurie is refreshing as a heroine who is entering her 40s, a size 18, and completely comfortable with her life as an unmarried, child-free woman. There are no dramatics or big fights between her and Nick—just a believable adult relationship with real-world obstacles.
A charming and easygoing look at all kinds of love and the beauty of independence, featuring supremely likable characters.Pub Date: June 14, 2022
ISBN: 978-0-52561-927-7
Page Count: 320
Publisher: Ballantine
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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