A charming and easygoing look at all kinds of love and the beauty of independence, featuring supremely likable characters.
A woman returns to her hometown of Calcasset, Maine, to clean out her recently deceased great-aunt’s house—but runs into a few surprises along the way.
When Laurie Sassalyn’s beloved great-aunt Dot dies at the age of 93, Laurie takes on the job of cleaning out her house. Even as a child, Laurie idolized Dot and the life she lived as a single, adventurous woman. Dot traveled, never got married, and (most important to Laurie, who grew up with four brothers and a constant stream of noise) had a silent house. Now that Laurie’s almost 40, she’s re-created Dot’s life for herself in Seattle, where she lives in peace, enjoying her job as a freelance nature writer and spending her free time with her many friends. Cleaning out Dot’s house is a big task, but Laurie thinks Dot deserves the respect of having someone go through her stuff instead of just trashing everything. Alongside the many books and boxes full of old photos, Laurie finds something surprising—a wooden duck, carefully kept in a cedar chest. Laurie can sense that this duck was important to Dot, and she enlists the help of a “bereavement declutterer” to help her discern its value. She also reconnects with librarian Nick Cooper, the high school boyfriend she dumped when she realized that he wanted to stay in Calcasset. Nick and Laurie have both changed over the years—he’s been married and divorced, and she’s broken off an engagement—but what hasn’t changed is their deep connection. Nick and Laurie grow closer as they search for answers about the mysterious duck—especially when their search leads them to what might be the world’s first wooden duck heist. As Laurie’s feelings for Nick grow, she starts to wonder if her friend June is right when she says, “You don’t have to be single to be independent. And you don’t have to be married to be loved.” As in her debut, Evvie Drake Starts Over (2019), Holmes displays a gift for warm, richly drawn characters and situations that are as cozy as a steaming cup of tea. Laurie is refreshing as a heroine who is entering her 40s, a size 18, and completely comfortable with her life as an unmarried, child-free woman. There are no dramatics or big fights between her and Nick—just a believable adult relationship with real-world obstacles.
A charming and easygoing look at all kinds of love and the beauty of independence, featuring supremely likable characters.Pub Date: June 14, 2022
ISBN: 978-0-52561-927-7
Page Count: 320
Publisher: Ballantine
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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