A charming and easygoing look at all kinds of love and the beauty of independence, featuring supremely likable characters.
A woman returns to her hometown of Calcasset, Maine, to clean out her recently deceased great-aunt’s house—but runs into a few surprises along the way.
When Laurie Sassalyn’s beloved great-aunt Dot dies at the age of 93, Laurie takes on the job of cleaning out her house. Even as a child, Laurie idolized Dot and the life she lived as a single, adventurous woman. Dot traveled, never got married, and (most important to Laurie, who grew up with four brothers and a constant stream of noise) had a silent house. Now that Laurie’s almost 40, she’s re-created Dot’s life for herself in Seattle, where she lives in peace, enjoying her job as a freelance nature writer and spending her free time with her many friends. Cleaning out Dot’s house is a big task, but Laurie thinks Dot deserves the respect of having someone go through her stuff instead of just trashing everything. Alongside the many books and boxes full of old photos, Laurie finds something surprising—a wooden duck, carefully kept in a cedar chest. Laurie can sense that this duck was important to Dot, and she enlists the help of a “bereavement declutterer” to help her discern its value. She also reconnects with librarian Nick Cooper, the high school boyfriend she dumped when she realized that he wanted to stay in Calcasset. Nick and Laurie have both changed over the years—he’s been married and divorced, and she’s broken off an engagement—but what hasn’t changed is their deep connection. Nick and Laurie grow closer as they search for answers about the mysterious duck—especially when their search leads them to what might be the world’s first wooden duck heist. As Laurie’s feelings for Nick grow, she starts to wonder if her friend June is right when she says, “You don’t have to be single to be independent. And you don’t have to be married to be loved.” As in her debut, Evvie Drake Starts Over (2019), Holmes displays a gift for warm, richly drawn characters and situations that are as cozy as a steaming cup of tea. Laurie is refreshing as a heroine who is entering her 40s, a size 18, and completely comfortable with her life as an unmarried, child-free woman. There are no dramatics or big fights between her and Nick—just a believable adult relationship with real-world obstacles.
A charming and easygoing look at all kinds of love and the beauty of independence, featuring supremely likable characters.Pub Date: June 14, 2022
ISBN: 978-0-52561-927-7
Page Count: 320
Publisher: Ballantine
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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