A solid, well-written tale wrought in entrancing detail.
In this haunting literary gothic novel, American photographer Harriet Sackett barely escapes with her life after traveling to a small Italian village.
After a disappointing love affair, Harriet journeys to the country village of Vitorchiano to research and photograph Etruscan tombs. She rents a farmhouse from the mysterious Count Federigo Del Re, resident of the nearby run-down castle. Harriet’s letters–with their romantic descriptions of the charming farmhouse and surrounding countryside–intrigue her closest friend Sarah. But when Sarah, her husband Stephen (also Harriet’s cousin) and George, a family friend, encounter Harriet a few months later, they find her drastically changed. Sarah thinks Harriet’s bewitched, and Stephen decides to send their trusted housekeeper, Mrs. Parsons, to look after her. Mrs. Parsons finds Harriet on the brink of insanity, in a dark and dank place bearing no resemblance to the enchanting cottage described in the letters. The only clue to what has transpired is Harriet’s diary; Stephen and George try to verify the facts contained in the diary, with little success. Readers will devour the tantalizing words of the diary and will become absorbed in guilty, voyeuristic fascination as Harriet describes her increasing obsession with the Count and the terrible consequences. Considering Harriet’s state, the friends are unsure how much of the diary is real and how much is the product of a mind skirting the edges of sanity. As the unraveling of Harriet’s mind is revealed, so to are the secrets between Sarah, Stephen, George, Mrs. Parsons and Harriet, which are no less fascinating than the diary. Mystery, fear, betrayal and uncertainty abound as Harriet’s story unfolds against the backdrop of Etruscan tombs and cemeteries. Influenced by D.H. Lawrence’s travelogue Etruscan Places, Lappin elegantly brings the characters, Italian countryside and surroundings to life in vivid, engrossing prose.
A solid, well-written tale wrought in entrancing detail.Pub Date: July 1, 2004
ISBN: 1-904893-00-7
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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