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THE GIRL ON THE HIGH-DIVING HORSE

AN ADVENTURE IN ATLANTIC CITY

The attention-grabbing title, the intriguing cover, and the scene-setting subtitle will compel readers to take a look inside. Once there, they will be transported to Atlantic City, 1936, where Ivy Cordelia thinks she is the luckiest girl in the world. This is where she will spend the summer while her father takes photographs of the boardwalk. Best of the attractions—boxing kangaroos, card-playing cats, daredevils sitting on flagpoles, dancing tigers, sand artists, and human cannonballs—are the high-diving horses. Every day Ivy watches as a pretty teenaged girl in helmet and bathing suit sits astride a horse high on a platform and they plunge into a tank of water. Ivy is only eight, but she dreams of being one of those girls. The immediacy of the first-person voice and the magnetic force of the scenes are totally engaging, attributable, perhaps, to the fact that both author and illustrator have childhood experiences from Atlantic City (as explained in notes from each). Lewin’s (Tooth and Claw, p. 235, etc.) note also describes how he created his illustrations in the style of linen postcards that were popular then by first making black-and-white paintings and then applying thin washes of color. The result is his familiar detailed realistic artwork with images that fully evoke the sights, stunts, and sounds of the place and time. Excellent page composition incorporates animation and movement into the panorama. The story and illustrations fuse together, placing readers at the scene and making them wish they were there, delightfully capturing the thrill of a unique time and place. (Picture book. 5-9)

Pub Date: April 1, 2003

ISBN: 0-399-23649-X

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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