by Linda Pressman ‧ RELEASE DATE: April 16, 2011
A memoir whose heart pays considerable homage to its subjects.
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Humor and tragedy blend seamlessly in this memoir of childhood upbringing and family trauma.
The daughter of Holocaust survivors and one of seven sisters, Pressman recounts her youth in Skokie, Ill., and how it intermingles with her family history. Throughout her young life, she often derides her parents’ obsession with their harrowing past, at one point scoffing that “Holocaust Judaism” has become their surrogate religion in place of more established movements of American Judaism. But as much as she tries to mold the haunting tales of her parents to her “happy ending template,” or even ignore them altogether, these stories—and the lessons they tell—play a crucial role in her formative years. Interweaving various events across time, the memoir juxtaposes Pressman’s angst at her ancestry’s ineluctable grip with the pre-adolescent and teenage tribulations she experiences in her comfortable suburban milieu. These strands occasionally diverge too widely, causing some family anecdotes to feel arbitrary as much as they prove entertaining. Still, the poignancy of Pressman’s voice and her meticulous attention to detail instill life into the characters and settings that surround her, as well as the ghosts of horrors past. This work separates itself from the ever-expanding memoir pool by emphasizing the universal aspects of deeply personal issues. Anyone with siblings can relate to the author’s amusing descriptions of the complicated power dynamics among her sisters. Even if one has never met a Holocaust survivor, he or she can empathize with Pressman’s attempts to grasp the weight of her parents’ struggle to survive. The memoir doesn’t unequivocally justify the actions or beliefs of any one character, but its overriding sense of pathos honors each person’s way of dealing with triumph and defeat. Since it deals with issues of existence, this quality has never been more necessary.
A memoir whose heart pays considerable homage to its subjects.Pub Date: April 16, 2011
ISBN: 978-1456470685
Page Count: 339
Publisher: CreateSpace
Review Posted Online: Aug. 9, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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