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SERGIO SEES THE GOOD

THE STORY OF ONE NOT SO BAD DAY

From the Henry & Friends series

Provides readers with an easy-to-replicate method that will help them put bad days and experiences in perspective.

A story meant to encourage readers to focus on the positive things in their lives.

When Sergio arrives home, droopy eyes and an equally droopy face tell his mood. His day has been “Terrible!” In fact, “It was a completely awful day.” It turns out he dropped his lunch tray and his food went everywhere. Mom is not so sure his whole day has been terrible and to prove it suggests an activity involving a scale and a jar full of marbles. As Mom has him rewind the day and remember everything that happened, Sergio places a marble on the “good side” for everything good that happened and one on the other side for everything “bad.” By the time they’ve finished it is clear the “good” side of the scale has outweighed the “bad.” Sergio concludes, “It was actually pretty great!” This mindfulness lesson, told in accessible language and using familiar scenarios, does not feel preachy. Mom and the author (in a note that follows the story) both go on to explain “the negativity bias,” a double-edged sword our brains use to keep us safe, “but sometimes it can make us think that life isn’t as great as it really is.” Sergio and his mom are portrayed with brown skin, his father is white, and his school friends are multiracial.

Provides readers with an easy-to-replicate method that will help them put bad days and experiences in perspective. (Picture book. 5-10)

Pub Date: Feb. 5, 2019

ISBN: 978-0-88448-731-9

Page Count: 32

Publisher: Tilbury House

Review Posted Online: Dec. 21, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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