by Linda Villarosa ‧ RELEASE DATE: June 14, 2022
A closely argued case for racial and class equity in health care, revealing a medical regime sorely in need of reform.
A damning account of how race and racism determine the quality and quantity of medical care in the U.S.
Patients in America enjoy what journalist and professor Villarosa characterizes as “the most advanced medical technology in the world.” Yet, she adds, by most measures, Black and other minority Americans are denied this technology. Though the author writes that there is nothing inferior or different about the Black body, for generations, a racist medical complex has persisted, supposing that, for example, Blacks possess “skin [that] is thicker than white skin” and feel less pain than do Whites. Less pain equals less anesthetic relief. So it is with many other aspects of health care. Daring to evoke critical race theory at a time when it arouses so many conservative legislators and school boards across the country, Villarosa examines the intersectionality of class, race, and gender. She notes, for instance, that George Floyd was suffering from Covid-19 at the time of his death, a fact that has bearing on the larger fact that there has long been significant “racial disparity in life expectancy” in the U.S. that was only heightened by the systemic lack of medical care in minority communities. Villarosa enlists numerous case studies to prove that point. On mental health, for instance, she observes that Black and other minority people are largely excluded de facto from treatment, a matter that again intersects with issues of “race and masculinity” that work to keep Black men from seeking help. Furthermore, whereas relatively few Whites died from AIDS after the development of the vaunted antiviral cocktail in the mid-1990s, it persisted long after in Black communities, which Villarosa, then writing for the New York Times, had to fight to report on, since “the epidemic was supposed to be over in America.”
A closely argued case for racial and class equity in health care, revealing a medical regime sorely in need of reform.Pub Date: June 14, 2022
ISBN: 978-0-385-54488-7
Page Count: 288
Publisher: Doubleday
Review Posted Online: April 11, 2022
Kirkus Reviews Issue: May 1, 2022
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SEEN & HEARD
by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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BOOK REVIEW
by Bonnie Tsui
BOOK REVIEW
by Bonnie Tsui ; illustrated by Sophie Diao
BOOK REVIEW
by Bonnie Tsui
by Christina Sharpe ‧ RELEASE DATE: April 25, 2023
An exquisitely original celebration of American Blackness.
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A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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