Clarke uses a modern idiom that’s sometimes jarring (“Hera hissed, ‘Don’t you dare take any notice of that mindless bitch’...
Whitbread-winner Clarke (The Chymical Wedding, 1989, etc.) offers a fresh and lively retelling of the Trojan War: a kind of ur-text of the events that made Homer famous.
Peleus and Thetis provide a good example of the most dangerous part of planning a wedding: the guest list. They blackball Eris, the Goddess of Discord, who takes her revenge by tossing a golden apple marked “To the Fairest” into the banquet hall. Naturally, Hera, Athene, and Aphrodite all go ballistic and turn to Zeus to settle the dispute—which he does by passing the buck to Paris, the most beautiful man in the world, and asking him to judge. By choosing Aphrodite, Goddess of Love, Paris earns the hand of Helen, the most beautiful woman alive—and that’s where all hell breaks loose. Helen is the wife of King Menelaus of Sparta, who flies into a royal rage when Paris abducts his bride to Troy. Menelaus invokes a prenuptial agreement he’d made with all of Helen’s prior suitors (who had agreed in advance to support whomever she chooses to wed), and the whole of Greece goes to war against Troy. You probably remember the story, with all the familiar characters here: the noble warriors Hector, Achilles, and Patroclus; the kings Agamemnon, Menelaus, and Laomedon; the wily Odysseus; and the resourceful Aeneas. We get as far as Odysseus’s breach of the walls of Troy with his wooden horse, although the narrator (a certain Phemius of Ithaca) lets us know that he was present at the hero’s homecoming—so a sequel is probably in the offing.
Clarke uses a modern idiom that’s sometimes jarring (“Hera hissed, ‘Don’t you dare take any notice of that mindless bitch’ ”) but never ridiculous, and he manages to keep the large cast of characters from stumbling all over each other on the page—more than can be said for Homer.Pub Date: Sept. 17, 2004
ISBN: 0-312-33657-8
Page Count: 464
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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