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THIS BOOK IS SPINELESS

A playful, interactive story that will urge readers to be brave and turn the page.

The story begins on the front endpapers with the questions “What’s going on?” and “Can someone please turn on the lights?” Black pages then fade to gray in the first pages—evidently the light has been turned on.

The book (who also happens to be the narrator) then thanks readers because, it says, “I’m afraid of the dark.” It then goes on to reveal that it’s scared of most things because it’s “spineless” and has “absolutely no sense of adventure.” The book/narrator admits that it doesn’t like stories (because stories can be “scary”). The following pages are filled with tales that the book is terrified of: the sound of a ghost story, in which the ghosts wail and clank their chains; the sight of a mystery’s “pitch-black pathways and slinky shadows” (though it wonders whodunit); the “FEEL” of a space adventure, with “rumbling rockets and woozy weightlessness” (but the stars are nice); the “SMELL of a “whiffy wolverine or stinky skunk” in a nature story (maybe it could manage a bunny); or even the salty “TASTE” of a pirate story set upon the open seas. Leslie’s witty, fast-paced narrative and Brereton’s digital paintings work well together to create a self-referential narrative that introduces young readers to different literary genres, compositions cleverly including those story elements the book is not scared of, till by the end it seems to have grown a spine—maybe.

A playful, interactive story that will urge readers to be brave and turn the page. (Picture book. 3-6)

Pub Date: Feb. 19, 2019

ISBN: 978-1-62414-658-9

Page Count: 32

Publisher: Page Street

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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